{"id":974,"date":"2013-01-05T00:58:25","date_gmt":"2013-01-05T00:58:25","guid":{"rendered":"http:\/\/faculty.wpengine.com\/david-schulenberg\/?page_id=974"},"modified":"2013-10-02T21:22:35","modified_gmt":"2013-10-02T21:22:35","slug":"music-of-the-baroque-2d-edn-corrections-and-revisions","status":"publish","type":"page","link":"https:\/\/faculty.wagner.edu\/david-schulenberg\/music-of-the-baroque-2d-edn-corrections-and-revisions\/","title":{"rendered":"Music of the Baroque, 2d edn.: Corrections and revisions"},"content":{"rendered":"<div>\n<div>\n<div style=\"text-align: center\"><b><i>Revisions and corrections for<\/i><\/b><\/div>\n<\/div>\n<\/div>\n<p style=\"text-align: center\">\u00a0MUSIC OF THE BAROQUE (second edition)<\/p>\n<p style=\"text-align: center\">Textbook and Anthology<\/p>\n<p style=\"text-align: center\">DAVID SCHULENBERG<\/p>\n<p>A work of this sort inevitably requires revision and correction. This list will be updated as the need for updates and corrections becomes apparent. Thanks to those readers who have brought problems to my attention.<\/p>\n<p><i>Text volume<\/i><\/p>\n<p><b>p. 55, ex. 3.2, m. 6. The rhythm on beat 2 and on beat 4 should 16th\u2013dotted 8th, not dotted 8th\u201316th.<\/b><\/p>\n<p><b>p. 58, line 3 from bottom. For:<\/b><br \/>\nBoth types of aria played<br \/>\n<b>read:<\/b><br \/>\nStrophic arias played<\/p>\n<p><b>p. 69, end of first complete para. For<\/b><br \/>\nmm. 261\u201364<br \/>\n<b>read<\/b><br \/>\nmm. 208\u201315<\/p>\n<p><b>p. 75, line 2. For<\/b><br \/>\nmm. 66\u201371<br \/>\n<b>read<\/b><br \/>\nmm. 67\u201371<\/p>\n<p><b>p. 75, line 3. For<\/b><br \/>\nmeasure 72<br \/>\n<b>read<\/b><br \/>\nmeasure 172<\/p>\n<p><b>p. 75, line 10. For<\/b><br \/>\nm. 246<br \/>\n<b>read<\/b><br \/>\nm. 24<\/p>\n<p><b>p. 156, line 6. For<\/b><br \/>\nemployed fewer than ninety<br \/>\n<b>read<\/b><br \/>\nemployed no fewer than ninety<\/p>\n<p><b>p. 247. The end of the last sentence on the page is missing. It should read in full:<\/b><br \/>\nBy then its musical character had changed, and the minuets of the Viennese Classical composers Haydn, Mozart, and Beethoven often incorporate asymmetrical phrases containing odd numbers of measures and irregular accents.<\/p>\n<p><b>298, lines 13\u201314. For<\/b><br \/>\nHis Opus 8, apparently first published in 1626 and reprinted in 1629<br \/>\n<b>read<\/b><br \/>\nHis Opus 8, published in 1629<\/p>\n<p><b>p. 312, last line. For<\/b><br \/>\naccompany other parts<br \/>\n<b>read<\/b><br \/>\naccompany other parts of a work<\/p>\n<p><i>Anthology volume<\/i><\/p>\n<p><b>p. 29, Selection 6a, m. 18, text. For<\/b><br \/>\nsui<br \/>\n<b>read<\/b><br \/>\ncui<\/p>\n<p><b>p. 288, note 35. Delete the second sentence of the note:<\/b><br \/>\nThe 1629 edition was probably a reprint of one of 1626.<\/p>\n<p><b>p. 336. The second (right-hand) image on the page is the same as the firs<\/b><b>t. The correct image is shown below (it can be downloaded by right-clicking on the image and selecting &#8220;save as&#8221;).<\/b><\/p>\n<div>\n<p><b>p. 377. The notes in mm. 172 and 173, lower staff, should read as follows:<\/b>\u00a0m. 172 (each chord): c#\/e (not C#\/A); m. 173 (downbeat): d (not D\/A).<\/p>\n<p><a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2013\/01\/Vivaldi_op3_no12_p2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1021\" alt=\"Vivaldi_op3_no12_p2\" src=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2013\/01\/Vivaldi_op3_no12_p2-235x300.jpg\" width=\"235\" height=\"300\" srcset=\"https:\/\/faculty.wpenginepowered.com\/david-schulenberg\/files\/2013\/01\/Vivaldi_op3_no12_p2-235x300.jpg 235w, https:\/\/faculty.wpenginepowered.com\/david-schulenberg\/files\/2013\/01\/Vivaldi_op3_no12_p2-804x1024.jpg 804w, https:\/\/faculty.wpenginepowered.com\/david-schulenberg\/files\/2013\/01\/Vivaldi_op3_no12_p2.jpg 1403w\" sizes=\"auto, (max-width: 235px) 100vw, 235px\" \/><\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Revisions and corrections for \u00a0MUSIC OF THE BAROQUE (second edition) Textbook and Anthology DAVID SCHULENBERG A work of this sort inevitably requires revision and correction. This list will be updated as the need for updates and corrections becomes apparent. Thanks &hellip; <a href=\"https:\/\/faculty.wagner.edu\/david-schulenberg\/music-of-the-baroque-2d-edn-corrections-and-revisions\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":12,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-974","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/pages\/974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/comments?post=974"}],"version-history":[{"count":0,"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/pages\/974\/revisions"}],"wp:attachment":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/media?parent=974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}