{"id":357,"date":"2012-12-02T17:34:37","date_gmt":"2012-12-02T17:34:37","guid":{"rendered":"http:\/\/faculty.wpengine.com\/david-schulenberg\/?page_id=357"},"modified":"2013-01-05T00:27:10","modified_gmt":"2013-01-05T00:27:10","slug":"discography","status":"publish","type":"page","link":"https:\/\/faculty.wagner.edu\/david-schulenberg\/discography\/","title":{"rendered":"Discography"},"content":{"rendered":"
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Music of the Baroque<\/em> (second edition)
\n<\/strong><\/span><\/div>\n
Discography (With Links to Audio Files)<\/span>
\n<\/strong><\/div>\n

I am gradually adding direct links to my own recordings of a number of items (mostly for keyboard instruments). These are minimally edited, rough and ready performances that would not meet the standards of commercial recordings but may prove adequate for teaching, especially in cases where other recordings are not available. Check back here as new items are added. This file and all linked audio files are copyright (c) 2013 by David Schulenberg, all rights reserved.\u00a0Permission is granted to download these files for personal and classroom use. Other use, including uploading to other websites and publication in any form, is prohibited.<\/strong><\/em><\/p>\n

Part 1\u00a0of this discography lists recordings for items in the anthology (second edition).\u00a0Part 2\u00a0lists recordings for examples in the textbook (second edition).<\/p>\n

I have heard most of these recordings but not all of them, and the listing of a recording here does not imply that it is particularly recommended. However, all recordings listed present works in historically informed performances; many of the performances are excellent and all are believed to be adequate (at the very least). All recordings listed have been issued on CD; I have left out some excellent older recordings that seem not to have been issued in newer formats. I am not yet aware of relevant recordings available only as downloads.<\/p>\n

Insofar as possible, I have included titles, labels, and dates for the original publication of each recording. Classical recordings go in and out of publication quickly; often the same recording is reissued on a different label or as part of a new compilation. For this reason I have retained many listings for older recordings that may no longer be available under the title or label listed here; many recordings may be available under alternate titles or on different labels and with new catalog numbers.<\/p>\n

Although classical music is increasingly available from online music sites, most downloadable classical music has previously appeared on regular CDs. Essential verbal material, including historical program notes, complete lists of performers, and original texts and translations (for vocal works), is often available only in the printed program booklets that accompany most reputable classical CD recordings. Therefore no effort has been made to identify sites for downloads.<\/p>\n

\u2014David Schulenberg<\/p>\n

Part 1: Recordings for\u00a0Music of the Baroque: An Anthology of Scores<\/a><\/em><\/strong><\/div>\n

1. Giovanni Pierluigi da Palestrina:\u00a0Dum complerentur<\/em><\/strong><\/p>\n

Palestrina: Missa Dum complerentur, Veni Sancte Spiritus, and Other Music for Whitsuntide<\/em>. Westminster Cathedral Choir; Martin Baker, dir. London: Hy7perion, 2003. CDA 67353<\/p>\n

Palestrina: Mass for Pentecost\/Five Motets<\/em>. Christ Church Cathedral Choir; Stephen Darlington, dir. [Wyastone Leys, Monmouth, Wales] : Nimbus, [1988], 1987. NI 5100<\/p>\n

Palestrina: Masses and Motets<\/em>. Regensburger Domchor; Hans Schrems, dir. Hamburg: Archiv Produktion, [1994?]. 439 961-2 Archiv Produktion<\/p>\n

2. Orlande de Lassus:\u00a0Timor et tremor<\/em><\/strong><\/p>\n

The Flemish masters. Vol. 1: Netherlanders in Italy in the 16th century<\/em>. Pomerium Musices; Alexander Blachly, dir. Brooklyn, N.Y.: Classic Masters, 1989.<\/p>\n

Roland de Lassus: Missa ad imitationem moduli Vinum bonum; Magnificat super Aurora lucis rutilat; Motets<\/em>. Ricercar Consort; La Fenice ; Peter Phillips, dir. France: Ricercar, [1995?]. RIC 155141<\/p>\n

Orlandus Lassus: Missa Osculetur me<\/em>. Tallis Scholars; Peter Phillips, dir. Oxford: Gimell, 1989. CDGIM 018<\/p>\n

Orlande de Lassus: Munich<\/em>. [London]: Collins Classics, 1997. New College (Oxford) Choir, Edward Higginbottom, dir. 14942 Collins Classics<\/p>\n

3. Don Carlo Gesualdo, Prince of Venosa:\u00a0Belt\u00e0, poi che t’assenti<\/em><\/strong>
\n<\/em>
\nThe Mannerist Revolution: Vocal Works by Gesualdo, Monteverdi, Wert, and Marenzio<\/em>. Pomerium Musices; Alexander Blachly, dir. Troy, NY: Dorian Recordings, 1991. DOR-90154 Dorian<\/p>\n

Gesualdo: Madrigals (Book VI)<\/em>. Collegium Vocale K\u00f6ln; Wolfgang Fromme, dir. New York: CBS Masterworks, 1983. IM 37758 CBS<\/p>\n

4. Claudio Monteverdi:\u00a0Luci serene<\/em><\/strong><\/p>\n

Claudio Monteverdi: Addio Florida bella: Madrigaux<\/em>. Concerto Vocale. Saint-Michel de Provence: Harmonia Mundi France, 1983. HMC 901084<\/p>\n

Claudio Monteverdi: Quarto libro dei madrigali<\/em>. Concerto Italiano; Rinaldo Alessandrini, dir. Paris: Opus 111, 1993. OPS 30-81<\/p>\n

Monteverdi: Madrigals<\/em>. Consort of Musicke; Anthony Rooley, dir. London: Editions de l’Oiseau-Lyre, [1997], 1982-86. 455 718-2 Editions de l’Oiseau-Lyre; 455 719-2-455 720-2<\/p>\n

5. Giulio Caccini:\u00a0Sfogava con le stelle<\/em><\/strong><\/p>\n

Virtuoso Italian Vocal Music<\/em>. Catherine Bott, soprano. London: \u00c9ditions de l’Oiseau-Lyre, 1988. Oiseau-Lyre 417 260-2<\/p>\n

Robert Dowland: A Musicall Banquet (1610)<\/em>. Consort of Musicke; Anthony Rooley, dir. London: \u00c9ditions de l’Oiseau-Lyre, 1979. Oiseau-Lyre DSLO 555<\/p>\n

Giulio Caccini: Int\u00e9grale des madrigaux et arias, Vol. 1: \u201cLe nuove musiche\u201d (1601)<\/em>. Maurizia Barazzoni, soprano; Sandro Volta, lute. Paris: Arion, 1992. ARN 268190<\/p>\n

To hear the two examples on page 28 (performed by the author on harpsichord),\u00a0click here<\/a>.<\/p>\n

6. Claudio Monteverdi:\u00a0Orfeo<\/em><\/strong><\/p>\n

Claudio Monteverdi: Orfeo<\/em>. Catherine Bott; Julia Gooding; John Mark Ainsley; Tessa Bonner; New London Consort;\u00a0 Philip Pickett, dir. London: Editions de L’Oiseau-Lyre, 1992. 433 545-2 Editions de L’Oiseau-Lyre; 433 546-2 Editions de L’Oiseau-Lyre; 433 547-2 Editions de L’Oiseau-Lyre<\/p>\n

Claudio Monteverdi: Orfeo<\/em>. Chiaroscuro; London Baroque; Nigel Rogers and Charles Medlam, dir. Hayes, Middlesex, England: EMI, 1984. EX 157 270131-3<\/p>\n

Claudio Monteverdi: Orfeo<\/em>. Jeffrey Thomas, tenor ; Dana Hanchard, soprano; ARTEK; Gwendolyn Toth, dir. New York: Lyrichord, [1995]. LEMS 9002<\/p>\n

7. Claudio Monteverdi:\u00a0Il combattimento di Tancredi e Clorinda<\/em><\/strong><\/p>\n

Monteverdi: Ottavo libro dei madrigali. Vol. II<\/em>. Concerto Italiano; Rinaldo Alessandrini, dir. Paris: Opus 111, 1998. OPS 30-196<\/p>\n

Monteverdi: Il ottavo libro de madrigali: Balli<\/em>. Consort of Musicke; Anthony Rooley, dir. London: Virgin Classics, 1990. VC 7 91158-2<\/p>\n

Claudio Monteverdi: Il combattimento di Tancredi e Clorinda; Lamento d’Arianna; Lamento d’Olimpia<\/em>. Nigel Rogers, tenor; Musica Antiqua K\u00f6ln. Hamburg: Polydor International, 1981. Archiv Produktion 415 296-2; ARC-415296-2 Deutsche Grammophon<\/p>\n

8. Pier Francesco Cavalli:\u00a0Giasone<\/em><\/strong><\/p>\n

Francesco Cavalli: Giasone<\/em>. Catherine Debosc, Agnes Mellon, sopranos; Gloria Banditelli, mezzo-soprano; Michael Chance, Dominique Visse, countertenors; Guy de Mey, Gianpaolo Fagotto, tenors ; Harry van der Kamp, Michael Schopper, Bernard Deletre, basses ; Concerto Vocale; Rene Jacobs, dir. Arles: Harmonia Mundi France, 1988. HMC 901282.84<\/p>\n

9. Barbara Strozzi:\u00a0Ardo in tacito foco<\/em><\/strong><\/p>\n

To the Unknown Goddess: A Portrait of Barbara Strozzi<\/em>. Catherine Bott, soprano. Elstree, Hertfordshire: Carlton Classics, 1996. 30366 00412 Carlton Classics<\/p>\n

Barbara Strozzi: Arie, lamenti e cantate<\/em>. Susanne Ryd\u00e9n, soprano; Musica Fiorita. Arles: Harmonia Mundi France, p2000. HMC 905249<\/p>\n

Barbara Strozzi: Arias and Duets<\/em>. Jennifer Lane, mezzo-soprano; New York Baroque; Eric Milnes, dir. Troy, N.Y.: Dorian Recordings, 2001. DOR-93218<\/p>\n

10. Alessandro Scarlatti:\u00a0Correa nel seno amato<\/em><\/strong><\/p>\n

A. Scarlatti: Belle madre de’ fiori: Cantates<\/em>. Maria Cristina Kiehr; Concerto Soave; Jean-Marc Aymes, dir. Arles: Harmonia Mundi, 2001. HMC 901725<\/p>\n

Alessandro Scarlatti: Correa nel seno amato; Variations on La folia; Gi\u00e0 lusingato appieno<\/em>. Lynne Dawson, soprano; Purcell Quartet. London: Hyperion, 1989. CDA66254 Hyperion<\/p>\n

A. Scarlatti: Diana & Endimione; Ero & Leandro; Correa nel sen amato<\/em>. Jacqueline Nicolas, soprano. Aix-en-Provence: Pierre Verany, 1990. PV.790013 Disques Pierre Verany<\/p>\n

11. Henry Purcell:\u00a0From Rosy Bowers<\/em><\/strong><\/p>\n

Portrait of Emma Kirkby<\/em>. Emma Kirkby, soprano. London: Editions de L’Oiseau-Lyre, 1982. DSLO 607 Editions de L’Oiseau-lyre<\/p>\n

Henry Purcell: Music For a While<\/em>. Catherine Bott, soprano; Academy of Ancient Music; Christopher Hogwood, dir. London: Editions de l’Oiseau-Lyre, 1994. 443 195-2 L’Oiseau-Lyre<\/p>\n

Henry Purcell: From Rosy Bow’rs<\/em>. Sally Sanford, soprano; Brent Wissick, bass viol; Raymond Erickson, harpsichord. Albany, NY; Albany Records, 1994. TROY 127<\/p>\n

12. Jean-Baptiste Lully:\u00a0Armide<\/em><\/strong><\/p>\n

Jean-Baptiste Lully: The Tragedy of Armide<\/em>. Stephanie Houtzeel, Robert Getchell, et al. Opera Lafayette, directed by Ryan Brown. Naxos International, 2008. Naxos 8.660209-10.<\/p>\n

Jean-Baptiste Lully: Armide<\/em>. Guillemette Laurens, V\u00e9ronique Gens, No\u00e9mi Rime, sopranos; Howard Crook, Gilles Ragon, tenors; Collegium Vocale; Philippe Herreweghe, dir. Arles: Harmonia Mundi, 1993. HMC 901456.57<\/p>\n

13. Giovanni Gabrieli:\u00a0In ecclesiis<\/em><\/strong>
\n<\/em>
\nGiovanni Gabrieli: Music For San Rocco (1608)<\/em>. Gabrieli Consort & Players; Paul McCreesh, dir. Hamburg: Deutsche Grammophon, 1996. 449 180-2 Deutsche Grammophon; 449 180-2 Archiv<\/p>\n

Venetian Church Music<\/em>. Taverner Consort, Choir and Players; Andrew Parrott, dir. Hayes, Middlesex: EMI, 1991. EMI CDC 7 54117 2<\/p>\n

The Feast of San Rocco, Venice, 1608<\/em>. La Capella Ducale; Musica Fiata K\u00f6ln; Roland Wilson, dir. New York: Sony Classical, 1995. S2K 66254 Sony Classical; 64591 Sony Classical; 64592 Sony Classical<\/p>\n

14. Heinrich Sch\u00fctz:\u00a0Herr, neige deine Himmel<\/em>\u00a0SWV 361<\/strong><\/p>\n

Sch\u00fctz: Symphoniae sacrae, op. 10<\/em>. Richard Wistreich, Stephen Varcoe, basses; The Purcell Quartet. Colchester: Chandos, 1994. CHAN 0566\/7<\/p>\n

Heinrich Sch\u00fctz: Symphoniae sacrae II<\/em>. Peter Schreier, tenor, et al.; Capella Fidicinia Leipzig; Hans Gruss, dir. K\u00f6nigsdorf: Capriccio, 1988. 10 110-10 112 Capriccio; 10996 Capriccio<\/p>\n

15. Heinrich Sch\u00fctz:\u00a0Saul, Saul, was verfolgst du mich?<\/em>\u00a0SWV 415<\/strong><\/p>\n

H. Sch\u00fctz: Symphoniae sacrae III<\/em>. Musica Fiata; Kammerchor Stuttgart; Frieder Bernius, conductor. Freiburg: Deutsche Harmonia Mundi, 1989. 7910 Deutsche Harmonia Mundi<\/p>\n

Heinrich Sch\u00fctz: Musikalische Exequien; Motetten und Konzerte<\/em>. Monteverdi Choir; English Baroque Soloists; John Eliot Gardiner, dir. Hamburg: Polydor, 1988. Archiv Produktion 423 405-2<\/p>\n

16. Giacomo Carissimi:\u00a0Jephte<\/em><\/strong><\/p>\n

Roman Oratorios<\/em>. Cantus C\u00f6lln. Freiburg: Deutsche Harmonia Mundi, 1995. Deutsche Harmonia Mundi 05472 77322 2 (distributed by BMG)<\/p>\n

Iacomo Carissimi: Jephthah; The Judgement of Solomon; Jonah<\/em>. Gabrieli Consort & Players; Paul McCreesh, dir. Eltham, London: Meridian, 1995. CDE 84304 Meridian<\/p>\n

Carissimi: Jephte, Jonas (Oratorios)<\/em>. Consortium Carissimi. Naxos<\/p>\n

Carissimi: Jephte; Jonas; Judicium extremum<\/em>. Monteverdi Choir; members of the English Baroque Soloists; His Majesties Sagbutts & Cornetts; John Eliot Gardiner, dir. Erato, 1990. 2292-45466-2<\/p>\n

17. Michel-Richard de Lalande:\u00a0De profundis<\/em><\/strong><\/p>\n

Michel-Richard de Lalande: Regina coeli, De profundis, Cantate Domino<\/em>. Ex Cathedra; Jeffrey Skidmore, dir. London: ASV (Academy Sound and Vision), 1995. CD GAU 141 (Gaudeamus)<\/p>\n

De Lalande: De profundis [et al.]<\/em>. Choir of New College Oxford; Edward Higginbottom, dir. Erato<\/p>\n

18. George Frideric Handel:\u00a0Orlando<\/em><\/strong>
\n<\/em>
\nHandel: Orlando<\/em>. Arleen Auger, Emma Kirkby, sopranos; Catherine Robbin, mezzo-soprano; James Bowman, countertenor; David Thomas, bass; Academy of Ancient Music; Christopher Hogwood, conductor. London: Decca, 1991. 430 845-2 L’Oiseau-Lyre<\/p>\n

Handel: Orlando<\/em>. William Christie, dir. Erato, 1996.<\/p>\n

Handel: Orlando<\/em>. Rosemary Joshua, Rosa Mannion, sopranos; Patricia Bardon, mezzo-soprano; Hilary Summers, contralto; Harry van der Kamp, bass; Les Arts Florissants; William Christie, dir. Paris: Erato, 1996. 0630-14636-2 Erato<\/p>\n

19. Jean-Philippe Rameau:\u00a0Les indes galantes<\/em><\/strong>
\n<\/em>
\nJean-Philippe Rameau: Les indes galantes<\/em>\u00a0(DVD). Paris Opera; William Christie, dir. Opus Arte, 1996 (not the same performance as the following).<\/p>\n

Les Indes Galantes<\/em>. Claron McFadden, Sandrine Piau, Isabelle Poulenard, No\u00e9mi Rime, Miriam Ruggeri, sopranos; Howard Crook, Jean-Paul Fouch\u00e9court, tenors; J\u00e9r\u00f4me Corr\u00e9as, Nicolas Rivenq, baritones; Bernard Del\u00e9tr\u00e9, bass; Les Arts Florissants; William Christie, dir. Arles: Harmonia Mundi, 1991. HMC 901367.69<\/p>\n

20. Johann Sebastian Bach:\u00a0Herr Jesu Christ, wahr’r Mensch und Gott<\/em>, BWV 127<\/strong><\/p>\n

Johann Sebastian Bach: Das Kantatenwerk. Vol. 31<\/em>. Sebastian Hennig, soprano; Kurt Equiluz, tenor; Max van Egmond, bass; Knabenchor Hannover; Collegium Vocale; Leonhardt-Consort; Gustav Leonhardt, dir. Hamburg : Teldec, 1982. Teldec 2292-42615-2<\/p>\n

Johann Sebastian Bach: Cantatas, [volume] 34<\/em>. Bach Collegium Japan; Masaaki Suzuki, dir. BIS<\/p>\n

21. George Frideric Handel:\u00a0Jephtha<\/em><\/strong><\/p>\n

George Frideric Handel: Jephtha<\/em>. Lynne Dawson, Ruth Holton, sopranos; Anne Sofie von Otter, contralto; Michael Chance, countertenor; Nigel Robson, tenor; Stephen Varcoe, baritone; Monteverdi Choir; English Baroque Soloists; John Eliot Gardiner, dir. [Netherlands]: Philips, 1989. 422 351-2 Philips<\/p>\n

Georg Friedrich H\u00e4ndel: Jephtha<\/em>. Christiane Oelze (Iphis); Catherine Denley (Storge); Axel Kohler (Hamor); John Mark Ainsley (Jephtha); Michael George (Zebul); RIAS-Kammerchor; Akademie f\u00fcr alte Musik Berlin; Marcus Creed, dir. [Berlin?]: Berlin Classics, 1994. BC 1057-2 Berlin Classics<\/p>\n

22. Ennemond Gaultier, Pieces for Lute<\/strong><\/p>\n

Click below to hear each piece performed by the author (on harpsichord)<\/em>:<\/p>\n

a. Courante \u201cL’immortelle\u201d<\/a>
\nb. Allemande (Tombeau de Mesangeau)<\/a>
\nc. Gigue \u201cLa Poste\u201d<\/a><\/p>\n

Ennemond & Denis Gaultier: \u201cLivre de luth de Perrine\u201d 1680<\/em>. Louis Pernot, lute. Denver: Ad Hoc Records, [r2004]. Ad Hoc 11<\/p>\n

To hear the first example on page 229, from an allemande by Gaultier (performed by the author on harpsichord),\u00a0click here<\/a>.<\/p>\n

23. Girolamo Frescobaldi, Toccata 7 from\u00a0Libro<\/em>\u00a0II<\/strong><\/p>\n

Girolamo Frescobaldi: Partite & toccate<\/em>. Pierre Hantai, harpsichord. 1996. Astr\u00e9e E 8585.<\/p>\n

Girolamo Frescobaldi: Il secondo libro di toccate, 1637<\/em>. Marco Vitale, organ. Incipit Records, 2006. ICP 06001.<\/p>\n

For a performance by the author,\u00a0click here<\/a>.<\/em><\/p>\n

24. Johann Jacob Froberger, Suite 20 in D<\/strong><\/p>\n

J. J. Froberger: Pour passer la m\u00e9lancolie<\/em>\u00a0(Froberger Edition, vol. 4). Bob van Asperen, harpsichord. 2004. Aeolus AE10074<\/p>\n

Johann Jakob Froberger: The Complete Keyboard Works, vol. 4<\/em>. Richard Egarr, harpsichord. Globe GLO-6025<\/p>\n

Click below to hear each movement performed by the author:<\/em><\/p>\n

Meditation sur ma mort future<\/a>
\nGigue<\/a>
\nCourante<\/a>
\nSarabande<\/a><\/p>\n

25. Elizabeth Jacquet de La Guerre: Pr\u00e9lude from Suite 3 in A minor<\/strong><\/p>\n

Sonates pour le viollon (1707)<\/em>. Byron Schenkman, harpsichord. Berkeley: Wildboar, 1996.
\nWLBR 9601<\/p>\n

Elisabeth Jacquet de La Guerre: Pi\u00e8ces de clavessin (1687)<\/em>. Emer Buckley, harpsichord. Saint-Michel de Provence: Harmonia Mundi France, 1982. HM 1098 Harmonia Mundi France<\/p>\n

Elisabeth Jacquet de La Guerre: The Suites for Harpsichord<\/em>. Carole Cerasi, harpsichord. Cornwall: Metronome, 1998.<\/p>\n

For a performance by the author,\u00a0click here<\/a>.<\/em><\/p>\n

26. Dietrich Buxtehude:\u00a0Nun bitten wir den heiligen Geist<\/em>, BuxWV 208<\/strong><\/p>\n

Int\u00e9grale de l’\u0153uvre d’orgue<\/em>. Ren\u00e9 Saorgin, organ. Saint-Michel de Provence: Harmonia Mundi, 197-. HM 505(7).<\/p>\n

Buxtehude: \u0152uvres pour orgue<\/em>. Marie-Claire Alain, organ. [France]: Erato, 1988. ECD 75370 Erato; ECD 74371 Erato; ECD 74372 Erato; ECD 75373<\/p>\n

27. Dietrich Buxtehude: Praeludium in A Minor, BuxWV 153<\/strong><\/p>\n

Piet Kee plays Bach & Buxtehude on the newly restored organ of St. Laurens, Alkmaar<\/em>. Piet Kee, organ. Colchester: Chandos, 1989. CHAN 0501 Chandos; EBRD 0501 Chandos<\/p>\n

Die authentische Orgel<\/em>. Gustav Leonhardt, organ. Hamburg: RCA Red Seal, 1982. RL 30852 RCA Red Seal<\/p>\n

The Arp Schnidtger Organ at the St. Cosmae Church in Stade<\/em>. Jacques van Oortmerssen, organ. Nippon Columbia, 1982, 1985. CM-7492 Denon<\/p>\n

Int\u00e9grale de l’\u0153uvre d’orgue<\/em>. Rene Saorgin, organ. Saint-Michel de Provence: Harmonia Mundi, 197-. HM 505(7).<\/p>\n

28. Johann Sebastian Bach: Prelude and Fugue in G, BWV 860, from\u00a0The Well-Tempered Clavier<\/em>, Part 1<\/strong><\/p>\n

Johann Sebastian Bach: Das wohltemperierte Clavier<\/em>. Davitt Moroney, harpsichord. [Arles, France]: Harmonia Mundi France, 1988. HMC 901285.88<\/p>\n

Johann Sebastian Bach: Das wohltemperierte Clavier: Praludien und Fugen: Teil 1<\/em>. Kenneth Gilbert, harpsichord. Hamburg : Archiv, 1984. 413 439-2 Archiv Produktion; 413 440-2 Archiv Produktion; 413 441-2 Archiv Produktion; 413 442-2 Archiv Produktion; 413 443-2 Archiv Produktion; 413 439-1 Archiv Produktion<\/p>\n

Click below to hear each movement performed by the author:<\/em><\/p>\n

Prelude<\/a>
\nFugue<\/a><\/p>\n

30. Fran\u00e7ois Couperin: Vingt-uni\u00e8me ordre (selections)<\/strong><\/p>\n

Fran\u00e7ois Couperin: Quatri\u00e8me livre de clavecin<\/em>. Kenneth Gilbert, harpsichord. Arles : Harmonia Mundi France, 1989. HMA 190359<\/p>\n

Fran\u00e7ois Couperin: Quatri\u00e8me livre: Vingti\u00e8me, vingt-uni\u00e8me, vingt-deuxi\u00e8me & vingt-troisi\u00e8me ordres<\/em>. Blandine Verlet, harpsichord. [France]: Astree Auvidis, 1989. E 7760 Astree Auvidis; 7760 Astree<\/p>\n

Fran\u00e7ois Couperin: Quatri\u00e8me livre de pi\u00e8ces de clavecin<\/em>. Olivier Baumont, harpsichord. [France]: Musifrance, 1992. 2292-45824-2 Musifrance; 45824 Erato<\/p>\n

Click below to hear each piece performed by the author:<\/em><\/p>\n

La reine des c\u0153urs<\/a>
\nLa Couperin<\/a><\/p>\n

31. Salamone Rossi: Sonata sopra La Bergamasca<\/strong><\/p>\n

Rossi and his Circle: Italian String Music of the Late Renaissance<\/em>. Rebel Consort; J\u00f6rg-Michael Schwarz, dir. PGM 118 (Dorian 93184).<\/p>\n

32. Dario Castello: Sonata 12 from\u00a0Libro<\/em>\u00a0II<\/strong><\/p>\n

Dario Castello: Sonate concertate in stil moderno, libro secondo<\/em>. Musica Fiorita; Daniela Dolci, dir. Bologna: Tactus, 2006. TC 590301<\/p>\n

\u201cSonate concertate in stil moderno\u201d: Virtuoso Instrumental Music by Castello and Scarani<\/em>. Concerto Palatino. Accent 9258D<\/p>\n

33. Biagio Marini:\u00a0Sonata variata<\/em>\u00a0for violin and continuo<\/strong><\/p>\n

Marini: Curiose e moderne inventioni<\/em>. Romanesca; Andrew Manze, dir. Arles: Harmonia Mundi, 1997. HMX 2907175<\/p>\n

Biagio Marini: Opus 8, Con curiose e moderne inventioni<\/em>. CordArte. Goseck: Raumklang (Bayerischer Rundfunk), 2004. RK 2306<\/p>\n

Stradella [et al.]: Early Italian Violin Sonatas<\/em>. Convivium (Elizabeth Wallfisch, violin, et al.) London: Hyperion, 1998. CDA66985 Hyperion; 66985 Hyperion Records<\/p>\n

Biagio Marini: Lagrime d’Erminia; Vocal & Instrumental Music<\/em>. Consort of Musicke; Anthony Rooley, dir. London: Editions de l’Oiseau-Lyre, 1980, 1979. DSLO 570 Editions de l’Oiseau-Lyre<\/p>\n

34. Heinrich Ignaz Franz Biber: Sonata 5 in E minor for violin and continuo (1681)<\/strong><\/p>\n

Biber: Violin Sonatas<\/em>. Andrew Manze, violin; Romanesca. Los Angeles: Harmonia Mundi USA, 1994. HMX 2907344.45<\/p>\n

35. Giovanni Legrenzi: Sonata\u00a0La Strasolda<\/em>\u00a0for two violins and continuo<\/strong><\/p>\n

Giovanni Legrenzi: Trio Sonatas 1655<\/em>. Parnassi Musici. Gerogsmarienh\u00fctte: CPO (Classic Production Osnabr\u00fcck), 2004. CPO 777 030-2<\/p>\n

36. Arcangelo Corelli: Sonata in C for violin and continuo, op. 5, no. 3<\/strong><\/p>\n

Arcangelo Corelli: Violin Sonatas op. 5<\/em>. Trio Sonnerie. London: Virgin Classics, 1990. VCD 5 45078 2<\/p>\n

Arcangelo Corelli: Violin Sonatas, op. 5<\/em>. The Locatelli Trio (Elizabeth Wallfisch, violin; Paul Nicholson, harpsichord, organ; Richard Tunnicliffe, cello). London: Hyperion, 1990. CDA 66381-CDA 66382 Hyperion<\/p>\n

Arcangelo Corelli: Trio Sonatas<\/em>. London Baroque; Charles Medlam, dir. K\u00f6ln: EMI, 1987. CDC 7 47965 2 EMI; CDC-47965 EMI<\/p>\n

37. Giuseppe Torelli: Sinfonia in D for trumpet, strings, and continuo, G. 8<\/strong><\/p>\n

Torelli: Concertos<\/em>. Collegium Musicum 90; Simon Standage, dir. Colchester: Chandos, 2005. CHAN 0716<\/p>\n

38. Arcangelo Corelli: Concerto grosso in G minor, op. 6, no. 8, \u201cChristmas\u201d<\/strong><\/p>\n

Twelve Concerti Grossi, Op. 6<\/em>. Brandenburg Consort; Roy Goodman, dir. London: Hyperion, 1993. Hyperion CDA66741<\/p>\n

Concerti grossi op. 6<\/em>. Ensemble 415; Chiara Bianchini, dir. Saint-Michel de Provence: Harmonia Mundi France, 1992. HMC 901406.07<\/p>\n

Arcangelo Corelli: Concerti grossi, op. 6<\/em>.\u00a0 La Petite Bande; Sigiswald Kuijken, dir. Freiburg: Deutsche Harmonia Mundi, 1990. 77007-2-RG<\/p>\n

Arcangelo Corelli: 12 Concerti grossi, op. 6<\/em>. The English Concert; Trevor Pinnock, dir. Hamburg: Polydor, 1988. 423 626-2 Archiv Produktion<\/p>\n

39. Antonio Vivaldi: Concerto in E for violin, strings, and continuo, op. 3, no. 12 (R. 265)<\/strong><\/p>\n

Vivaldi: L’estro armonico, Op. 3<\/em>. Elizabeth Wilcock, vn.; Academy of Ancient Music; Christopher Hogwood, dir. London: Decca, 1981. 414 554-2 L’Oiseau-Lyre<\/p>\n

Antonio Vivaldi: L’estro armonico, op. 3<\/em>. The English Concert; Trevor Pinnock, dir. Hamburg: Archiv Produktion, 1987. Archiv Produktion: 423 094-1\/2\/4<\/p>\n

40. Johann Sebastian Bach: Brandenburg Concerto no. 2 in F, BWV 1047<\/strong><\/p>\n

J. S. Bach: Brandenburg Concertos<\/em>. Freiburg Baroque Orchestra, directed by Friedrich von der Goltz (violin). DVD, filmed in the C\u00f6then castle where Bach may have first performed these works. Image Entertainment, 2000. ID0663EIDVD<\/p>\n

Die Brandenburgischen Konzerte<\/em>. Taverner Players; Andrew Parrott, dir. Hayes, Middlesex: EMI, 1989. EMI CDS 7 49806-8 2<\/p>\n

J. S. Bach: Brandenburg Concertos; Concertos BWV 1060, 1062, 1064<\/em>. Academy of Ancient Music; Christopher Hogwood, dir. London: Editions de Oiseau-Lyre, [1997], 1985. 455 700-2 (455 701-2–455 702-2) Editions de Oiseau-Lyre<\/p>\n

Bach: Brandenburg Concerto no. 1 in F major, BWV 1046; Brandenburg Concerto no. 2 in F major, BWV 1047 ; Brandenburg Concerto no. 3 in G major, BWV 1048 ; Orchestral Suite no. 1 in C major, BWV 1066<\/em>. Musica Antiqua K\u00f6ln; Reinhard Goebel, dir. Hamburg : Polydor International, 1996. Archiv Produktion, 447287-2<\/p>\n

Bach: Brandenburg Concertos<\/em>. Frans Br\u00fcggen, flute; Sigiswald Kuijken, violin; Gustav Leonhardt, harpsichord; et al. New York: Sony, 1997. 62946 Sony<\/p>\n

41. Georg Philipp Telemann:\u00a0Nouveau quatuor<\/em>\u00a0no. 6 in E minor for flute, violin, viola da gamba (or cello) and continuo, TWV 43: e4<\/strong><\/p>\n

Paris Quartets<\/em>. Wilbert Hazelzet, flute; Trio Sonnerie. London: Virgin Classics, 1992. 91450 Virgin<\/p>\n

G. P. Telemann: Quatuors parisiens, Vol. 2<\/em>. Pariser Quartett (G\u00e9rard Scharapan, flute, et al.). Adda (distributed by Qualiton), 1988. 581037 Adda<\/p>\n

Georg Philipp Telemann: Concerti, Quartets, and Trios in the French and Italian Manner [sic]<\/em>. Aulos Ensemble. Tinton Falls, NJ: Musical Heritage Society, 1981. MHS 4477 Musical Heritage Society<\/p>\n

42. Carl Philipp Emanuel Bach: \u201cW\u00fcrttemberg\u201d Sonata no. 1 in A minor for keyboard, W. 49\/1<\/strong><\/p>\n

C. P. E. Bach: The Solo Keyboard Music, vol. 16: \u201cW\u00fcrttemberg Sonatas (I).\u201d<\/em>\u00a0Mikl\u00f3s Sp\u00e1nyi, clavichord. BIS 1423.<\/p>\n

C. P. E. Bach: Sechs W\u00fcrttemburgische Sonaten<\/em>. Bob van Asperen, harpsichord. Elektra\/Wea, 1993 (= Teldec 9031-77623-2, 1978?).<\/p>\n

To hear live performances by the author, click on the links below:<\/p>\n

performed on the clavichord (Boston Clavichord Society, Cambridge, Mass., April 19, 2009):<\/em><\/p>\n

I. Moderato<\/a>
\nII. Andante<\/a>
\nIII. Allegro assai<\/a><\/p>\n

performed on the harpsichord (Boston Early Music Festival, Boston, June 12, 2009):
\n<\/em><\/p>\n

I. Moderato<\/a>
\nII. Andante<\/a>
\nIII. Allegro assai<\/a><\/p>\n

Both performances incorporate the author’s embellishments (varied reprises) for repeated sections; the two different cadenzas used in the slow movement are both by C.P.E. Bach. The recordings are unedited and include some audience noise; for more elegant performances, please listen to the ones listed above!<\/em><\/p>\n

To hear the example on page 379 performed by the author,\u00a0click here<\/a>.<\/p>\n

Part 2: Recordings for Examples in\u00a0Music of the Baroque<\/em><\/a><\/strong><\/div>\n

Example 3.1. Luzzaschi,\u00a0La Primavera<\/em><\/strong>
\n<\/em>
\nVirtuoso Italian Vocal Music<\/em>. Catherine Bott; New London Consort; Philip Pickett, dir. London: L’Oiseau-Lyre, 1988. 417 260-2 L’Oiseau-Lyre<\/p>\n

The Secret Music of Luzzascho Luzzaschi<\/em>. Musica Secreta (Deborah Roberts, Tessa Bonner, Suzie Leblanc, sopranos, et al.). Wotton-under-Edge, Glos., England: Amon Ra (distributed by Qualiton Imports), 1992. CD-SAR 58 Amon Ra<\/p>\n

Example 3.2. Cavalieri,\u00a0Godi turba mortal<\/em>, from\u00a0Intermedio<\/em>\u00a0VI for\u00a0La Pellegrina<\/em><\/strong><\/p>\n

Una \u201cStravaganza\u201d dei Medici [sound recording]: Intermedi (1589) per \u201cLa pellegrina.\u201d<\/em>\u00a0Tessa Bonner, Emma Kirkby, Emily van Evera, sopranos; Nigel Rogers, tenor; Taverner Consort; Taverner Choir; Taverner Players; Andrew Parrott, dir. [England?] : EMI, 1988. CDC 7 47998 2 EMI; 747998-2 EMI<\/p>\n

La Pellegrina 1589; Intermedii et concerti zur Hochzeit des Don Ferdinando Medici und der Madama Christiana di Loreno<\/em>. Stockholmer Kammerchor; Linde-Consort; Hans Martin Linde, dir. EMI, p 1973. 1C 063 30 114-1C 063 30 115 EMI Electrola<\/p>\n

Examples 4.1\u20133. Monteverdi:\u00a0L’incoronazione di Poppea<\/em><\/strong><\/p>\n

Monteverdi: L’incoronazione di Poppea<\/em>. Arleen Auger, Sarah Leonard, sopranos; Della Jones, Linda Hirst, mezzo-sopranos; James Bowman, countertenor; Gregory Reinhart, bass ; supporting soloists; City of London Baroque Sinfonia; Richard Hickox, conductor. London: Virgin Classics, 1990. 7243 5 45082 2 6 Virgin Classics<\/p>\n

Claudio Monteverdi: L’incoronazione di Poppea: opera in un prologo e tre atti<\/em>. Carmen Balthrop, Judith Nelson, sopranos; Andrea Bierbaum, Carolyn Watkinson, mezzo-sopranos; Henri Ledroit, countertenor; Ulrik Cold, bass; Il Complesso Barocco; Alan Curtis, dir. Italy: Fonit Cetra Italia, 1994. CDC 76 Fonit Cetra<\/p>\n

Monteverdi: L’incoronazione di Poppea<\/em>. Sylvia McNair; Anne Sofie von Otter; Dana Hanchard; Michael Chance; Francesco Ellero d’Artegna; Catherine Bott; Bernarda Fink; Roberto Balconi; The English Baroque Soloists; John Eliot Gardiner, dir. Hamburg : Archiv Produktion, 1996. 447 088-2 Archiv Produktion; 447 089-2 Archiv Produktion; 447 090-2 Archiv Produktion; 447 091-2 Archiv Produktion<\/p>\n

Example 5.7. Purcell,\u00a0Dido and Aeneas<\/em><\/strong><\/p>\n

Henry Purcell: Dido and Aeneas<\/em>. Emma Kirkby, Judith Nelson, Judith Rees, sopranos; Jantina Noorman, mezzo-soprano; David Thomas, bass-baritone; Taverner Choir; Taverner Players; Andrew Parrott, dir. London: Chandos Records, 1981. CHAN 8306<\/p>\n

Henry Purcell: Dido and Aeneas<\/em>. Maria Ewing and Rebecca Evans, sopranos; Sally Burgess, mezzo-soprano; Karl Daymond, baritone; Collegium Musicum 90; Richard Hickox, dir. Colchester: Chandos Records, 1995. CHAN 0586 Chandos Records; Chandos. CHAN 0586<\/p>\n

Purcell: Dido and Aeneas<\/em>. Guillemette Laurens, Jill Feldman, Philippe Cantor; Les Arts Florissants; William Christie, dir. Saint-Michel de Provence: Harmonia Mundi, 1986. HMC 905173<\/p>\n

Example 6.1. Gu\u00e9dron,\u00a0Vous que le bonheur rappelle<\/em><\/strong><\/p>\n

Robert Dowland: A Musicall Banquet (1610)<\/em>. Consort of Musicke; Anthony Rooley, dir. London: \u00c9ditions de l’Oiseau-Lyre, 1979. Oiseau-Lyre DSLO 555<\/p>\n

Example 7.1\u00a0\u00a0 \u00a0G. Gabrieli,\u00a0Ego sum qui sum<\/em><\/strong><\/p>\n

Example 7.2. Gabrieli,\u00a0Canzon III septimi toni<\/em>\u00a0(1597)<\/strong><\/p>\n

Canzoni e sonate<\/em>. London Cornett and Sackbut Ensemble; Andrew Parrott, dir. Hamburg: Archiv Produktion, 1978. Archiv 2533 406<\/p>\n

Example 7.3. Gabrieli,\u00a0Sonata con tre violini<\/em>\u00a0(1615)<\/strong><\/p>\n

The Feast of San Rocco, Venice, 1608<\/em>. La Capella Ducale; Musica Fiata K\u00f6ln; Roland Wilson,\u00a0 dir. New York: Sony Classical, 1995. S2K 66254 Sony Classical; 64591 Sony Classical; 64592 Sony Classical<\/p>\n

Giovanni Gabrieli: Canzonas; Sonatas; Motets<\/em>. Taverner Consort, Choir and Players; Andrew Parrott, dir. Hayes, Middlesex: EMI, 1991. EMI Classics D135132<\/p>\n

Venice preserv’d<\/em>. Emma Kirkby, Judith Nelson, sopranos; Nigel Rogers, tenor; Academy of Ancient Music; Christopher Hogwood, dir. London: Editions de l’Oiseau-Lyre, [1990], 1980. 425 891-2 Oiseau-Lyre; 425891 Oiseau-Lyre<\/p>\n

Example 8.1. Rameau,\u00a0Laboravi clamans<\/em><\/strong><\/p>\n

Jean-Philippe Rameau: Grands motets<\/em>. Ch\u0153urs et Orchestre de la Chapelle Royale; Philippe Herreweghe, dir. Saint-Michel de Provence: Harmonia Mundi, 1982. HM 1078<\/p>\n

Example 8.2\u00a0\u00a0 \u00a0Rameau,\u00a0Hippolyte et Aricie<\/em><\/strong><\/p>\n

Jean Philippe Rameau: Hippolyte et Aricie<\/em>. Solistes du Studio Versailles Op\u00e9ra; Les Musiciens du Louvre; Marc Minkowski, dir. Hamburg: Deutsche Grammophon, 1995. 445 853-2 Archiv Produkution<\/p>\n

Example 9.6. Handel,\u00a0Lotario<\/em><\/strong><\/p>\n

Handel: Lotario<\/em>. Il Complesso Barocco. Alan Curtis, dir. Deutsche Harmonia Mundi<\/p>\n

Example 10.1a. Anonymous variations on a ceccona (chaconne) for archlute
\n<\/strong><\/p>\n

For a performance by the author (on harpsichord),\u00a0click here<\/a>.
\n<\/em><\/p>\n

Example 10.1b. Giovanni Ambrosio Colonna, Passacalli passeggiati for guitar
\n<\/strong><\/p>\n

For a performance by the author (on harpsichord),\u00a0click here<\/a>.
\n<\/em><\/p>\n

Example 10.2a. Kapsperger, Passacaglia in D minor for theorbo
\n<\/strong><\/p>\n

For a performance by the author (on harpsichord),\u00a0click here<\/a>.
\n<\/em><\/p>\n

Example 10.2b. Francesco Corbetta, Passachaglie in F for guitar
\n<\/strong><\/p>\n

For a performance by the author (on harpsichord),\u00a0click here<\/a>.
\n<\/em><\/p>\n

Example 10.3 (upper system). Ennemond Gaultier, Courante “L’immortelle,” mm. 1-12
\n<\/strong><\/p>\n

For a performance by the author (on harpsichord),\u00a0click here<\/a>.<\/em><\/p>\n

Example 10.3 (lower system). Melodic reduction of the previous example<\/p>\n

For a performance by the author (on harpsichord),\u00a0click here<\/a>.
\n<\/em>
\nExample 10.4. Giovanni Gabrieli,\u00a0Intonazione del secondo tono<\/em><\/strong><\/p>\n

For a performance by the author,\u00a0click here<\/a>.<\/a><\/em><\/p>\n

Example 10.5. Frescobaldi,\u00a0Partite sopra l’Aria della Romanesca<\/em><\/strong><\/strong><\/p>\n

Click below to hear Examples 10.5a\u2013c performed by the author:<\/em><\/p>\n

Example 10.5a<\/a>\u00a0(the Romanesca melody and bass line)
\nExample 10.5b<\/a>\u00a0(Frescobaldi, sesta parte)
\nExample 10.5c<\/a>\u00a0(Frescobaldi, nona parte)<\/p>\n

For the complete work:<\/p>\n

Frescobaldi: Toccate d’intavolatura di cimbalo et organo. Libro primo<\/em>. Rinaldo Alessandrini, harpsichord and organ. [Metz]: Arcana, 1993. A 904 Arcana; A 51 Arcana; A 52 Arcana<\/p>\n

Example 10.6. D’Anglebert, Passacaille from\u00a0Armide<\/em><\/strong><\/p>\n

To hear Example 10.6 performed by the author,\u00a0click here<\/a>.<\/em><\/p>\n

For the complete work:<\/p>\n

Jean-Henri d’Anglebert: Pi\u00e8ces de clavecin<\/em>. Arthur Haas, harpsichord. Wildboar<\/p>\n

Pi\u00e8ces de Jean-Baptiste Lully elabor\u00e9es pour clavecin par Jean-Henry d’Anglebert<\/em>. Kenneth Gilbert, harpsichord. Arles: Harmonia Mundi France, 1987. HMC 901267 Harmonia Mundi France<\/p>\n

Example 10.7. Jacquet de La Guerre, Suite in A minor, pr\u00e9lude, opening<\/strong><\/p>\n

For a performance by the author,\u00a0click here<\/a>.<\/em><\/p>\n

Example 10.8. Jacquet de La Guerre, Suite in A minor:<\/strong><\/p>\n

Performed by the author:
\nExample 10.8a<\/a>\u00a0(Gigue)
\nExample 10.8b<\/a>\u00a0(Chaconne)
\nExample 10.8c<\/a>\u00a0(Gavotte)
\nExample 10.8d<\/a>\u00a0(Minuet)<\/p>\n

Examples 11.2a and 11.2b. Rameau,\u00a0Les trois mains<\/em>\u00a0and\u00a0L’Egyptienne<\/em><\/strong><\/p>\n

Examples only, performed by the author:
\nExample 11.2a<\/a>
\nExample 11.2b<\/a><\/p>\n

For the complete works:
\n<\/em>Werke f\u00fcr Cembalo<\/em>. Kenneth Gilbert, harpsichord. Archiv, p1977. 2710 020 (2533 352-2533 354) Archiv<\/p>\n

Example 11.3. Domenico Scarlatti, Sonatas in A, K. 181 and 182
\n<\/strong><\/p>\n

Examples only, performed by the author:
\nExample 11.3a<\/a>
\nExample 11.3b<\/a><\/p>\n

For the complete works:
\n<\/em>Domenico Scarlatti: L’\u0153uvre pour clavier. Scott Ross, harpsichord and organ<\/em>. France: Erato, p1988. 2292-45309-2 Erato; ECD 75401 Erato; 45309 Erato<\/p>\n

Example 12.1a. Castello,\u00a0Sonata terza a 2<\/em>\u00a0from\u00a0Sonate concertate<\/em>, book 2<\/strong><\/p>\n

Dario Castello: Sonate concertate in stil moderno, libro secondo<\/em>. Musica Fiorita; Daniela Dolci, dir. Bologna: Tactus, 2006. TC 590301<\/p>\n

Example 12.2. Salamone Rossi,\u00a0Sonata in dialogo La Viena<\/em><\/strong><\/p>\n

Rossi and His Circle<\/em>. REBEL (J\u00f6rg-Michael Schwarz, Karen Marie Marmer, violins; Susie Napper, violoncello; Eric Milnes, harpsichord, organ; Mike Fentross, chitarrone, Baroque guitar). New York: Dorian, 1999. DOR-93184 Dorian<\/p>\n

Musique judeo-baroque<\/em>. The Boston Camerata; Joel Cohen, dir. Arles: Harmonia Mundi, 1979. HMA 1901021<\/p>\n

Example 12.3. Castello,\u00a0Sonata decima a 3<\/em>, from\u00a0Sonate concertate<\/em>, book 2<\/strong><\/p>\n

Dario Castello: Sonate concertate in stil moderno, libro secondo<\/em>. Musica Fiorita; Daniela Dolci, dir. Bologna: Tactus, 2006. TC 590301<\/p>\n

The Floating City: Sonatas, Canzonas, and Dances By Two of Monteverdi’s Contemporaries<\/em>. His Majestys Sagbutts and Cornetts. London: Hyperion, 1997. CDA67013<\/p>\n

Example 12.4. Michel de La Barre,\u00a0Premi\u00e8re Sonate<\/em>, from\u00a0Troisi\u00e8me livre des trio<\/em><\/strong><\/p>\n

En trio: French Baroque Trio Sonatas for Two Flutes and Basse Continue<\/em>. The Hannoverian Ensemble. MSR Classics<\/p>\n

Example 12.5a. Quantz, Sonata in G minor for flute and keyboard, QV 2: 35<\/strong><\/p>\n

Click below to hear a performance by Mary Oleskiewicz, flute, and David Schulenberg, fortepiano:
\nExample 12.5a only<\/a>
\nthe entire movement (movement 2, Cantabile)<\/a><\/p>\n

Example 12.5b. Quantz, Quartet in E minor for flute, violin, viola, and continuo, QV 4: 9<\/strong><\/p>\n

Johann Joachim Quantz: Six Flute Quartets<\/em>. Mary Oleskiewicz, flute; Elizabeth Field, violin; Daniel Elyar, viola; Stephanie Vial, cello; David Schulenberg, harpsichord. Hungaroton 32286
\nClick below to hear extracts from the above recording:
\nExample 12.5b only<\/a>
\nthe entire movement (movement 1, Vivace)<\/a><\/p>\n

Example 12.6a. Marini,\u00a0Sonata IV per sonar con due corde per violino solo<\/em>, from\u00a0Sonate<\/em>, op. 8<\/strong><\/p>\n

Marini: Curiose e moderne inventioni<\/em>. Romanesca; Andrew Manze, dir. Arles: Harmonia Mundi, 1997. HMX 2907175<\/p>\n

Biagio Marini: Opus 8, Con curiose e moderne inventioni<\/em>. CordArte. Goseck: Raumklang (Bayerischer Rundfunk), 2004. RK 2306<\/p>\n

In stile moderno: The Fantastic Style in Early Seventeenth-Century Italy<\/em>. Ingrid Matthews, violin; Byron Schenkman, harpsichord. San Francisco: Wildboar, 1995 (distribution: Harmonia Mundi USA). WLBR9512<\/p>\n

Example 12.6b. J. S. Bach, Sonata 2 in A minor for unaccompanied violin, BWV 1003<\/strong><\/p>\n

Bach: Sonatas and Partitas for Solo Violin<\/em>. Jaap Schr\u00f6der. Naxos.<\/p>\n

J. S. Bach: Sonatas and Partitas<\/em>. Monica Huggett. Virgin Veritas<\/p>\n

Bach: Sonatas and Partitas for Solo Violin<\/em>. Elizabeth Wallfisch. Hyperion.<\/p>\n

Example 12.7. Marco Uccellini,\u00a0Sonata 18 a doi violini<\/em>, from\u00a0Sonate<\/em>, book 4 (Modena, 1645)<\/strong><\/p>\n

Uccellini: \u201cLa bergamesca.\u201d<\/em>\u00a0The Arcadian Academy; Nicholas McGegan, dir. Arles: Harmonia Mundi, 1993. HMX 2907066<\/p>\n

Examples 12.8 and 12.9. Biber, \u201cMystery\u201d Sonatas 10 and 11<\/strong><\/p>\n

Heinrich Ignaz Franz Biber: Rosenkranz-Sonaten<\/em>. Musica Antiqua K\u00f6ln (Reinhard Goebel, violin, et al.). Hamburg : Archiv Produktion, p1991. Archiv Produktion 431 656-2; Archiv Produktion 431 657-2; Archiv Produktion 431 658-2; 431656 Archiv<\/p>\n

Biber: The Mystery Sonatas<\/em>. Tragicomedia (John Holloway, violin, et al.). London: Virgin Classics, p1990. VCD 7 90838-2 Virgin Classics; Virgin Classics 90828<\/p>\n

Example 12.10. Corelli, Sonata in D, op. 2, no. 1<\/strong><\/p>\n

Arcangelo Corelli: Sonatas for Strings. Vol. 1<\/em>. The Purcell Quartet. London: Chandos, p1991. CHAN 0516<\/p>\n

Arcangelo Corelli: Sonate da camera op. 2; Sonate da camera op. 4<\/em>. London Baroque (Ingrid Seifert, Richard Gwilt, violins; Charles Medlam, violoncello; Lars Ulrik Mortensen, harpsichord). Arles: Harmonia Mundi France, p1991. HMC 901342-HMC 901343<\/p>\n

Example 14.1. Pergolesi, duet \u201cPer te ho nel core\u201d from the opera\u00a0Flaminio<\/em>\u00a0(1735) (= final duet of\u00a0La serva padrona<\/em>)<\/strong><\/p>\n

Pergolesi: La serva padrona<\/em>. Maddalena Bonifaccio, sop.; Siegmund Nimsgern, bass; Collegium Aureum. Freiburg: Harmonia Mundi, 1969. 77184-2-RC Deutsche Harmonia Mundi<\/p>\n

Example 14.2. Domenico Alberti, Sonata in E-flat<\/strong><\/p>\n

To hear this example performed by the author,\u00a0click here<\/a>.<\/em><\/p>\n

Example 14.3. Johann Adolpf Hasse,\u00a0Cleofide<\/em><\/strong><\/p>\n

J.A. Hasse: Cleofide<\/em>. Emma Kirkby, Agnes Mellon, Randall K. Wong, sopranos; Derek Lee Ragin, Dominique Visse, David Cordier, altos; Cappella Coloniensis; William Christie, dir. K\u00f6nigsdorf: Capriccio, 1987. 10 139\/96 Capriccio; 10 193 Capriccio; 10 194 Capriccio; 10 195 Capriccio; 10 196 Capriccio<\/p>\n

Examples 14.5\u20137. C. P. E. Bach, Concerto in D minor, W. 23<\/strong><\/p>\n

C. P. E. Bach: Harpsichord Concertos<\/em>. Mikl\u00f3s Sp\u00e1nyi, harpsichord; Concerto Armonico. Budapest: Hungaroton, 1989. HCD 31159<\/p>\n

C. P. E. Bach: Keyboard Concertos<\/em>, vol. 15. Mikl\u00f3s Sp\u00e1nyi, tangent piano\u00a0(Tangentenfl\u00fcgel)<\/em>; Opus X Ensemble. \u00c5kersberga: BIS, 2006. BIS-CD-1422A<\/p>\n

C. Ph. E. Bach: Concerti Wq 46; Wq 23; Wq 165<\/em>. Gustav Leonhardt, harpsichord; Collegium Aureum. Freiburg: Harmonia Mundi, 1988. Deutsche Harmonia Mundi Editio Classica 77061-2-RG<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Music of the Baroque (second edition) Discography (With Links to Audio Files) I am gradually adding direct links to my own recordings of a number of items (mostly for keyboard instruments). These are minimally edited, rough and ready performances that … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":12,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-357","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/pages\/357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/comments?post=357"}],"version-history":[{"count":0,"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/pages\/357\/revisions"}],"wp:attachment":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/media?parent=357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}