{"id":319,"date":"2012-12-02T16:55:10","date_gmt":"2012-12-02T16:55:10","guid":{"rendered":"http:\/\/faculty.wpengine.com\/david-schulenberg\/?page_id=319"},"modified":"2021-07-19T19:29:13","modified_gmt":"2021-07-19T19:29:13","slug":"bach-and-handel-completions","status":"publish","type":"page","link":"https:\/\/faculty.wagner.edu\/david-schulenberg\/bach-and-handel-completions\/","title":{"rendered":"Bach and Handel Arrangements and Completions"},"content":{"rendered":"<p style=\"text-align: center\"><span style=\"font-size: medium\"><strong>Arrangements<br \/>and<br \/>Completions of Fragmentary Works of J. S. Bach and Handel<br \/>by David Schulenberg<\/strong><\/span><\/p>\n<p>In the course of researching and performing the music of J. S. Bach and Handel, I have had occasion to make various arrangements and to complete a number of instrumental works that survive only in fragments. Among the arrangements are my transcriptions of Bach&#8217;s works for unaccompanied string and wind instruments, <a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/bach-transcriptions\/\">found elsewhere on this website<\/a>. The fragments are works that Bach and Handel probably completed but which do not survive in their intended form, presumably because the composer never completed a fair copy of his working draft, or because pages from his fair copy manuscript have been lost. In some cases the composer may have intentionally discarded portions of a work that he intended to revise and replace, but only the portion left intact remains.<\/p>\n<p><strong>Arrangements<\/strong><\/p>\n<p><strong>Bach, songs, arias, and chorales from the second Little Keyboard Book for Anna Magdalena Bach (1725),<\/strong> arranged for keyboard performance with full harmony: BWV 82 (two movements) 452, and 508\u2013518<br \/><a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2020\/06\/P225_selections.pdf\">score<\/a>\u00a0<\/p>\n<p><strong>Bach, Fourteen canons on the first eight notes of the &#8220;Goldberg Variations&#8221; bass line, BWV 1087,<\/strong> arranged for two-manual harpsichord<br \/><a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2014\/09\/bwv1087_arr.pdf\">score<\/a> \u00a0 \u00a0<a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2014\/09\/bwv1087_arr.mid\">midi<\/a> \u00a0 \u00a0<a href=\"http:\/\/4hlxx40786q1osp7b1b814j8co.wpengine.netdna-cdn.com\/david-schulenberg\/files\/2015\/07\/bwv1087.mp3\">recording (live performance)<\/a><\/p>\n<p><strong>Handel, Concerto in F for harpsichord or organ, HWV 292 (op. 4, no. 4),<\/strong> arrangement of the solo part with embellishments and cadenzas (<em>capricci<\/em>).<br \/><a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2014\/09\/hwv292.pdf\">score<\/a>\u00a0\u00a0\u00a0 <a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2014\/09\/hwv_292_concerto_F_DS_version.mid\">midi<\/a><\/p>\n<p><strong>Completions<\/strong><\/p>\n<p>I call these completions rather than reconstructions because, even where we have evidence as to how much of a work is missing or how a fragment might have continued, we cannot be sure that Bach did not intend to alter his original plan as documented by the extant fragment, or to replace a missing portion of a work by a longer or shorter one.<\/p>\n<p>My book\u00a0<em>The Keyboard Music of J. S. Bach<\/em>\u00a0contains completions of the following works for solo keyboard instrument. Since publication I have revised the first item listed (<a href=\"https:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2017\/10\/bwv906.pdf\">revised score here<\/a>).<\/p>\n<p style=\"padding-left: 30px\"><strong>Fugue in C Minor BWV 906\/2<\/strong> \u00a0 \u00a0 <a href=\"http:\/\/4hlxx40786q1osp7b1b814j8co.wpengine.netdna-cdn.com\/david-schulenberg\/files\/2012\/12\/bwv906_2.mp3\">recording (live performance)<\/a><br \/><strong>Chorale prelude\u00a0Jesu, meine Freude\u00a0BWV 753<\/strong> \u00a0 \u00a0 <a href=\"http:\/\/4hlxx40786q1osp7b1b814j8co.wpengine.netdna-cdn.com\/david-schulenberg\/files\/2015\/07\/bwv753.mp3\">recording (live performance)<\/a><br \/><strong>Prelude in E Minor BWV 932<\/strong> \u00a0 \u00a0 <a href=\"http:\/\/4hlxx40786q1osp7b1b814j8co.wpengine.netdna-cdn.com\/david-schulenberg\/files\/2015\/07\/bwv932_brandeis.mp3\">recording (live performance)<\/a><br \/><strong><em>Fuga a 3 soggetti<\/em><\/strong>\u00a0(the fragmentary quadruple <em>contrapunctus<\/em> from the\u00a0<em>Art of Fugue<\/em>) BWV 1080\/19\u00a0<a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2016\/05\/bwv1080_19.mp3\">recording (live performance)<\/a>\u00a0 \u00a0 \u00a0<a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2016\/05\/bwv1080_19_talk.mp3\">talk<\/a><\/p>\n<p>The links below will take you to scores and midi (synthesized audio) files for the following works (by Bach unless otherwise noted):<\/p>\n<p><strong>Fugue in C minor (pedaliter, in five parts) BWV 562\/2<\/strong><br \/><a href=\"https:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2021\/02\/bwv562_new.pdf\">score<\/a>\u00a0\u00a0<a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2018\/06\/bwv562_new.mid\">midi<\/a>\u00a0<a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2014\/09\/bwv1087_arr.mid\">\u00a0 \u00a0<\/a><a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2020\/08\/bwv562_2_with_noise_reduction.mp3\">recording (live performance of an older version)<\/a><\/p>\n<p><strong><em>Fantasia pro organo<\/em>\u00a0in C, BWV 573<\/strong><br \/><a href=\"https:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2020\/02\/bwv573_new.pdf\">score<\/a>\u00a0\u00a0<a href=\"https:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2020\/02\/bwv573_2020_shorter.mid\">midi<\/a><\/p>\n<p><strong>Chorale prelude\u00a0<em>Wie sch\u00f6n leuchtet der Morgenstern<\/em>\u00a0(<em>manualiter<\/em>, in four parts), BWV 764<\/strong><br \/><a href=\"https:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2020\/02\/bwv764_2020.pdf\">score<\/a>\u00a0\u00a0<a href=\"\/david-schulenberg\/files\/2012\/12\/bwv764.mid\">midi<\/a>\u00a0<a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2014\/09\/bwv1087_arr.mid\">\u00a0 \u00a0<\/a><a href=\"http:\/\/4hlxx40786q1osp7b1b814j8co.wpengine.netdna-cdn.com\/david-schulenberg\/files\/2015\/07\/bwv764.mp3\">recording (live performance)<\/a><\/p>\n<p><strong>Aria with Variations BWV 991<\/strong><br \/><a href=\"https:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2020\/02\/bwv991_new.pdf\">score<\/a>\u00a0\u00a0<a href=\"https:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2020\/02\/bwv991_newer.mid\">midi<\/a><\/p>\n<p><strong>Sonata in A for flute and keyboard, BWV 1032, first movement<\/strong><br \/><a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2016\/03\/bwv1032_1_completion.pdf\">score<\/a>\u00a0\u00a0<a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2016\/03\/bwv1032_completion_flute.pdf\">flute part<\/a>\u00a0\u00a0\u00a0\u00a0<a href=\"\/david-schulenberg\/files\/2012\/12\/bwv1032_1.mid\">midi<\/a><a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2014\/09\/bwv1087_arr.mid\">\u00a0 \u00a0<\/a><a href=\"http:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2016\/05\/bwv1032_1.mp3\">recording (live performance)<\/a><\/p>\n<p><strong>Handel, Suite in C minor for two keyboard instruments, HWV 446<\/strong><br \/>Only the first of the two keyboard parts survives (see the note in the score for further details). The recording is from a performance with harpsichordist Zvi Meniker at Chapel Hill, North Carolina, in 1994. Today I would play all four movements slower to one degree or another!<br \/><a href=\"https:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2020\/10\/hwv446_rev112311_corr101720.pdf\">score<\/a>\u00a0\u00a0\u00a0\u00a0<a href=\"\/david-schulenberg\/files\/2012\/12\/hwv446_2011.mid\">midi<\/a>\u00a0 \u00a0 recording:<br \/>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2020\/10\/HWV446_1_MenikerDS.mp3\">Allemande<\/a><br \/>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2020\/10\/HWV446_2_MenikerDS.mp3\">Courante<\/a><br \/>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2020\/10\/HWV446_3_MenikerDS.mp3\">Sarabande<\/a><br \/>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/faculty.wagner.edu\/david-schulenberg\/files\/2020\/10\/HWV446_4_MenikerDS.mp3\">Chaconne<\/a><\/p>\n<p>File updated 7\/19\/21<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ArrangementsandCompletions of Fragmentary Works of J. S. Bach and Handelby David Schulenberg In the course of researching and performing the music of J. S. Bach and Handel, I have had occasion to make various arrangements and to complete a number &hellip; <a href=\"https:\/\/faculty.wagner.edu\/david-schulenberg\/bach-and-handel-completions\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":12,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-319","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/pages\/319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/comments?post=319"}],"version-history":[{"count":0,"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/pages\/319\/revisions"}],"wp:attachment":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/media?parent=319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}