{"id":1235,"date":"2013-08-26T16:59:58","date_gmt":"2013-08-26T16:59:58","guid":{"rendered":"http:\/\/faculty.wagner.edu\/david-schulenberg\/?page_id=1235"},"modified":"2021-04-29T20:39:50","modified_gmt":"2021-04-29T20:39:50","slug":"discography-2","status":"publish","type":"page","link":"https:\/\/faculty.wagner.edu\/david-schulenberg\/discography-2\/","title":{"rendered":"Discography"},"content":{"rendered":"

Discography and links to audio files for
Music of the Baroque
<\/i>and
Music of the Baroque: An Anthology of Scores,<\/i>\u00a0third edition
by David Schulenberg (Oxford University Press, 2013)<\/strong><\/p>\n

Part 1 of this file lists recordings for Selections whose scores are included in the anthology. Part 2 lists recordings for musical examples in both volumes. Many of the CDs and other hard-copy recordings are relatively old, but I regularly update the links to online audio and video recordings (most recently on Feb. 2, 2021). Inclusion of a link is not meant as a recommendation for or endorsement of a particular performance, nor is the failure to list any particular recording intended as a negative criticism.<\/p>\n

Part 1: Selections in\u00a0Music of the Baroque: An Anthology of Scores<\/i><\/strong><\/p>\n

1. Giovanni Pierluigi da Palestrina:\u00a0Dum complerentur<\/i>\u00a0(motet)<\/strong><\/p>\n

Music of the Sistine Chapel.<\/i>\u00a0Taverner Choir; Parrott, Andrew, dir. EMI Classics. HMV 5743712<\/p>\n

Palestrina: Mass for Pentecost\/Five Motets.<\/i>\u00a0Christ Church Cathedral Choir; Stephen Darlington, dir. [Wyastone Leys, Monmouth, Wales] : Nimbus, [1988], 1987. NI 5100<\/p>\n

Online recordings:<\/p>\n

Vox Archangeli<\/a>\u00a0(video)<\/p>\n

Taverner Consort<\/a> directed by Andrew Parrott<\/p>\n

2. Orlande de Lassus:\u00a0Timor et tremor<\/i>\u00a0(motet)<\/strong><\/p>\n

The Flemish masters<\/i>. Vol. 1:\u00a0Netherlanders in Italy in the 16th century<\/i>. Pomerium Musices; Alexander Blachly, dir.\u00a0<\/i>Brooklyn, N.Y.: Classic Masters, 1989.<\/p>\n

Roland de Lassus: Missa ad imitationem moduli Vinum bonum; Magnificat super Aurora lucis rutilat; Motets<\/i>. Ricercar Consort; La Fenice ; Peter Phillips, dir. France: Ricercar, [1995?]. RIC 155141<\/p>\n

Orlandus Lassus: Missa Osculetur me.<\/i>\u00a0Tallis Scholars; Peter Phillips, dir. Oxford: Gimell, 1989. CDGIM 018<\/p>\n

Great European Choral Works.<\/i>\u00a0The Sixteen; Harry Christophers, dir. Coro, 2012 (download only?)<\/p>\n

Online recordings:<\/p>\n

The Sixteen (score video)<\/a><\/p>\n

Munich Vocal Ensemble (video)<\/a><\/p>\n

3. Claudio Monteverdi:\u00a0Luci serene<\/i>\u00a0(madrigal)<\/strong><\/p>\n

Claudio Monteverdi: Quarto libro dei madrigali<\/i>. Concerto Italiano; Rinaldo Alessandrini, dir. Paris: Opus 111, 1993. OPS 30-81<\/p>\n

Monteverdi: Madrigals.\u00a0<\/i>Consort of Musicke; Anthony Rooley, dir. London: Editions de l’Oiseau-Lyre, [1997], 1982-86. 455 718-2 Editions de l’Oiseau-Lyre; 455 719-2-455 720-2<\/p>\n

Monteverdi: Flaming Heart.<\/i>\u00a0I Fagiolini; Robert Hollingworth, dir. Colchester: Chandos Records, 2006. CHAN 0730<\/p>\n

Online recordings:<\/p>\n

Concerto Italiano<\/a> (score video)
Ensemble Hermes<\/a> (video)<\/p>\n

4. Giulio Caccini:\u00a0Sfogava con le stelle<\/i>\u00a0(continuo madrigal)<\/strong><\/p>\n

Il circolo di Giulio Caccini<\/i>.\u00a0La Nuova Musica<\/a>; David Bates, dir. 2008<\/p>\n

Virtuoso Italian Vocal Music<\/i>. Catherine Bott, soprano. London: \u00c9ditions de l’Oiseau-Lyre, 1988. Oiseau-Lyre 417 260-2<\/p>\n

Robert Dowland: A Musicall Banquet (1610)<\/i>. Consort of Musicke; Anthony Rooley, dir. London: \u00c9ditions de l’Oiseau-Lyre, 1979. Oiseau-Lyre DSLO 555<\/p>\n

Online recordings:<\/p>\n

Catherine Bott<\/a>
Estrella Cuello<\/a> (concert video)<\/p>\n

To hear the two examples that illustrate the commentary (performed by the author on harpsichord),\u00a0click here<\/a>.<\/p>\n

5. Claudio Monteverdi:\u00a0Orfeo<\/i>\u00a0(opera)<\/strong><\/p>\n

Claudio Monteverdi: L’Orfeo<\/i>. Furio Zanasi, Montserrat Figueras, Arianna Savall Sara Mingardo, Adriana Fern\u00e1ndez; Le Concert des Nations; Jordi Savall, dir. BBC\/Opus Arte, 2002. OA 0842D<\/p>\n

Claudio Monteverdi: Orfeo<\/i>. Catherine Bott; Julia Gooding; John Mark Ainsley; Tessa Bonner; New London Consort; Philip Pickett, dir. London: Editions de L’Oiseau-Lyre, 1992. 433 545-2 Editions de L’Oiseau-Lyre; 433 546-2 Editions de L’Oiseau-Lyre; 433 547-2 Editions de L’Oiseau-Lyre<\/p>\n

Claudio Monteverdi: Orfeo<\/i>. Chiaroscuro; London Baroque; Nigel Rogers and Charles Medlam, dir. Hayes, Middlesex, England: EMI, 1984. EX 157 270131-3<\/p>\n

Online recording:<\/p>\n

Jordi Savall, dir.<\/a>\u00a0(video of the complete opera; textbook selections begin at 25:47, 31:07)<\/p>\n

6. Pier Francesco Cavalli:\u00a0Calisto<\/i>\u00a0(opera)<\/strong><\/p>\n

Cavalli: La Calisto<\/i>. Lisa Saffer, Bernard Delatray, Christine Abraham, Drew Minter; Glimmerglass Opera; Jane Glover, dir. BBC Music Magazine, Vol. 5, No. 3 (1996).<\/p>\n

Cavalli: La Calisto<\/i>. DVD. Maria Bayo, Louise Winter, Sonia Theodoridou, Robin Tyson, Graham Pushee, Dominique Visse, Barry Banks, Alexander Oliver, Hans Peter Kammerer, Marcello Lippi, Reinhardt Dorn; Concerto Vocale; Ren\u00e9 Jacobs, dir. Arles: Harmonia Mundi, 2006. HMD9909001.02<\/p>\n

Online recording:<\/p>\n

Pacific Opera Project<\/a> (video of the complete opera, with English subtitles; textbook selection begins at about 25:40)<\/p>\n

7. Barbara Strozzi:\u00a0Ardo in tacito foco<\/i>\u00a0(cantata or strophic aria)<\/strong><\/p>\n

To the Unknown Goddess: A Portrait of Barbara Strozzi<\/i>. Catherine Bott, soprano. Elstree, Hertfordshire: Carlton Classics, 1996. 30366 00412 Carlton Classics<\/p>\n

Barbara Strozzi: Arie, lamenti e cantate<\/i>. Susanne Ryd\u00e9n, soprano; Musica Fiorita. Arles: Harmonia Mundi France, p2000. HMC 905249<\/p>\n

Barbara Strozzi: Arias and Duets<\/i>. Jennifer Lane, mezzo-soprano; New York Baroque; Eric Milnes, dir. Troy, N.Y.: Dorian Recordings, 2001. DOR-93218<\/p>\n

Online recording:<\/p>\n

Teresa Wakim<\/a><\/p>\n

8. Alessandro Scarlatti:\u00a0Correa nel seno amato<\/i>\u00a0(cantata)<\/strong><\/p>\n

A. Scarlatti: Belle madre de’ fiori: Cantates<\/i>. Maria Cristina Kiehr; Concerto Soave; Jean-Marc Aymes, dir. Arles: Harmonia Mundi, 2001. HMC 901725<\/p>\n

Alessandro Scarlatti: Correa nel seno amato; Variations on La folia; Gi\u00e0 lusingato appieno<\/i>.<\/p>\n

Lynne Dawson, soprano; Purcell Quartet. London: Hyperion, 1989. CDA66254 Hyperion<\/p>\n

A. Scarlatti: Diana & Endimione; Ero & Leandro; Correa nel sen amato<\/i>. Jacqueline Nicolas, soprano. Aix-en-Provence: Pierre Verany, 1990. PV.790013 Disques Pierre Verany<\/p>\n

Online recording:<\/p>\n

Jacqueline Nicolas<\/a><\/p>\n

9. Henry Purcell:\u00a0From Rosy Bowers<\/i>\u00a0(cantata)<\/strong><\/p>\n

Portrait of Emma Kirkby<\/i>. Emma Kirkby, soprano. London: Editions de L’Oiseau-Lyre, 1982. DSLO 607 Editions de L’Oiseau-lyre<\/p>\n

Henry Purcell: Music For a While<\/i>. Catherine Bott, soprano; Academy of Ancient Music; Christopher Hogwood, dir. London: Editions de l’Oiseau-Lyre, 1994. 443 195-2 L’Oiseau-Lyre<\/p>\n

Henry Purcell: From Rosy Bow’rs<\/i>. Sally Sanford, soprano; Brent Wissick, bass viol; Raymond Erickson, harpsichord. Albany, NY; Albany Records, 1994. TROY 127<\/p>\n

online recording:<\/p>\n

Jolaine Kerley<\/a><\/p>\n

10. Jean-Baptiste Lully:\u00a0Armide<\/i>\u00a0(opera)<\/strong><\/p>\n

Jean-Baptiste Lully: The Tragedy of Armide<\/i>. Stephanie Houtzeel, Robert Getchell; Opera Lafayette; Ryan Brown, dir. Naxos, 2008. 8.660209-10<\/p>\n

Lully: Armide<\/i>. DVD. Stephanie d’Oustrac, Paul Agnew; Les Arts Florissants; William Christie, dir. FRA Musica FRA005, 2011<\/p>\n

Online recordings:<\/p>\n

Christophe Rousset<\/a>\u00a0(video, overture)
Stephanie d’Oustrac<\/a>\u00a0(video, \u201cEnfin, il est en ma puissance\u201d)
William Christie<\/a> (complete opera, modern staging)<\/p>\n

Videos of the passacaille, danced by . . .
Begona del Valle<\/a>
Philippa Waite<\/a>
Paige Whitley-Bauguess<\/a>
Paul Agnew Dancers (modern choreography)<\/a><\/p>\n

11. Giovanni Gabrieli:\u00a0In ecclesiis<\/i>\u00a0(concertato<\/i>\u00a0motet)<\/strong><\/p>\n

Giovanni Gabrieli: Music For San Rocco (1608)<\/i>. Gabrieli Consort & Players; Paul McCreesh, dir. Hamburg: Deutsche Grammophon, 1996. 449 180-2 Deutsche Grammophon; 449 180-2 Archiv<\/p>\n

Venetian Church Music<\/i>. Taverner Consort, Choir and Players; Andrew Parrott, dir. Hayes, Middlesex: EMI, 1991. EMI CDC 7 54117 2<\/p>\n

The Feast of San Rocco, Venice, 1608<\/i>. La Capella Ducale; Musica Fiata K\u00f6ln; Roland Wilson, dir. New York: Sony Classical, 1995. S2K 66254 Sony Classical; 64591 Sony Classical; 64592 Sony Classical<\/p>\n

Online recording:<\/p>\n

Festival Oude Muziek<\/a> (Gesualdo Consort, Arp Schnitger Ensemble; video, Aug. 24, 2012, Utrecht Cathedral)<\/p>\n

12. Heinrich Sch\u00fctz:\u00a0Saul, Saul, was verfolgst du mich?<\/i>\u00a0SWV 415 (concertato<\/i>\u00a0motet)<\/strong><\/p>\n

H. Sch\u00fctz: Symphoniae sacrae III<\/i>. Musica Fiata; Kammerchor Stuttgart; Frieder Bernius, conductor. Freiburg: Deutsche Harmonia Mundi, 1989. 7910 Deutsche Harmonia Mundi<\/p>\n

Heinrich Sch\u00fctz: Musikalische Exequien; Motetten und Konzerte<\/i>. Monteverdi Choir; English Baroque Soloists; John Eliot Gardiner, dir. Hamburg: Polydor, 1988. Archiv Produktion 423 405-2<\/p>\n

Online recording:<\/p>\n

Victoria Consort<\/a>\u00a0(video)<\/p>\n

13. Giacomo Carissimi:\u00a0Jephte<\/i>\u00a0(oratorio)<\/strong><\/p>\n

Roman Oratorios<\/i>. Cantus C\u00f6lln. Freiburg: Deutsche Harmonia Mundi, 1995. Deutsche Harmonia Mundi 05472 77322 2 (distributed by BMG)<\/p>\n

Iacomo Carissimi: Jephthah; The Judgement of Solomon; Jonah<\/i>. Gabrieli Consort & Players; Paul McCreesh, dir. Eltham, London: Meridian, 1995. CDE 84304 Meridian<\/p>\n

Carissimi: Jephte, Jonas (Oratorios)<\/i>. Consortium Carissimi; Vittorio Zanon, dir. Naxos 8.557390 (2005).<\/p>\n

Online recording:<\/p>\n

Le Parlement de Musique<\/a>\u00a0(\u201cCum autem victor\u201d at 4:15)
Le Parlement de Musique<\/a>\u00a0(\u201cCum videsset\u201d)
Le Parlement de Musique<\/a>\u00a0(\u201cPlorate\u201d at 3:10)<\/p>\n

14.\u00a0Charpentier\u00a0Frigidae noctis umbra<\/i>\u00a0H. 414 (oratorio)<\/strong><\/p>\n

Marc-Antoine Charpentier: No\u00ebls and Christmas Motets<\/i>. Aradia Ensemble; Kevin Mallon, dir. Naxos 8.554514 (1999).<\/p>\n

Marc-Antoine Charpentier. Les antiennes “O” de l’Avent; Noel sur les instruments; In nativitatem D.N.J.C. canticum<\/i>. Les Arts Florissants; William Christie, dir. [France]: Harmonia Mundi France, p1990. 0905124 Harmonia Mundi<\/p>\n

Online recording:<\/p>\n

Balint Karosi<\/a>\u00a0(video)<\/p>\n

15. George Frideric Handel:\u00a0Orlando<\/i>\u00a0(opera)<\/strong><\/p>\n

Handel: Orlando<\/i>. Arleen Auger, Emma Kirkby, sopranos; Catherine Robbin, mezzo-soprano; James Bowman, countertenor; David Thomas, bass; Academy of Ancient Music; Christopher Hogwood, conductor. London: Decca, 1991. 430 845-2 L’Oiseau-Lyre<\/p>\n

Handel: Orlando<\/i>. DVD. Marijana Mijanovic, Martina Jankov\u00e0, Katharina Peetz; Orchestra of the Z\u00fcrich Opera; William Christie, dir. Arthaus Musik 101309 (2008).<\/p>\n

Handel: Orlando<\/i>. Rosemary Joshua, Rosa Mannion, sopranos; Patricia Bardon, mezzo-soprano; Hilary Summers, contralto; Harry van der Kamp, bass; Les Arts Florissants; William Christie, dir. Paris: Erato, 1996. 0630-14636-2 Erato<\/p>\n

Act 1, complete<\/a> (video, Stony Brook Opera directed by Arthur Haas)<\/p>\n

Online recordings of individual arias:<\/p>\n

Anne-Kathryn Olsen<\/a>\u00a0(video, \u201cO care parolette\u201d)
Martina Jankova<\/a>\u00a0(video, \u201cSe fedel vuoi”)
Bejun Mehta<\/a>\u00a0(video, \u201cFammi combattere\u201d)<\/p>\n

16. Jean-Philippe Rameau:\u00a0Les indes galantes<\/i>\u00a0(op\u00e9ra-ballet<\/i>)<\/strong><\/p>\n

Jean-Philippe Rameau: Les indes galantes<\/i>. DVD. Paris Opera; William Christie, dir. Opus Arte, 2005. OA 0923D (not the same performance as the following).<\/p>\n

Les Indes Galantes<\/i>. Claron McFadden, Sandrine Piau, Isabelle Poulenard, No\u00e9mi Rime, Miriam Ruggeri, sopranos; Howard Crook, Jean-Paul Fouch\u00e9court, tenors; J\u00e9r\u00f4me Corr\u00e9as, Nicolas Rivenq, baritones; Bernard Del\u00e9tr\u00e9, bass; Les Arts Florissants; William Christie, dir. Arles: Harmonia Mundi, 1991. HMC 901367.69<\/p>\n

Online recordings:<\/p>\n

Howard Crook<\/a> (\u201cLa terre, les cieux\u201d)<\/p>\n

William Christie<\/a> (complete performance)
William Christie<\/a>\u00a0(video, \u201cLes sauvages\u201d alone)<\/p>\n

17. Johann Sebastian Bach:\u00a0Herr Jesu Christ, wahr’r Mensch und Gott<\/i>, BWV 127 (sacred cantata)<\/strong><\/p>\n

There appear to be no available recordings using historical performing forces (the following all combine modern choral ensembles with \u201cBaroque\u201d instruments).<\/p>\n

Johann Sebastian Bach: Das Kantatenwerk. Vol. 31<\/i>. Sebastian Hennig, soprano; Kurt Equiluz, tenor; Max van Egmond, bass; Knabenchor Hannover; Collegium Vocale; Leonhardt-Consort; Gustav Leonhardt, dir. Hamburg : Teldec, 1982. Teldec 2292-42615-2<\/p>\n

Johann Sebastian Bach: Cantatas, [volume] 34<\/i>. Bach Collegium Japan; Masaaki Suzuki, dir. BIS SACD-1551<\/p>\n

Bach: Jesu, deine Passion Cantatas BWV 22, 23, 127 & 159. Dorothee Mields,, Jan Kobow, Peter Kooy; Collegium Vocale Ghent; Philippe Herreweghe, dir. Harmonia Mundi, 2009. HMC 901998.<\/p>\n

Online recording:<\/p>\n

Philippe Herreweghe<\/a><\/p>\n

Video discussion of the cantata:<\/p>\n

Ryan Turner, Pamela Dellal<\/a><\/p>\n

18. George Frideric Handel:\u00a0Jephtha<\/i>\u00a0(English oratorio)<\/strong><\/p>\n

George Frideric Handel: Jephtha<\/i>. Lynne Dawson, Ruth Holton, sopranos; Anne Sofie von Otter, contralto; Michael Chance, countertenor; Nigel Robson, tenor; Stephen Varcoe, baritone; Monteverdi Choir; English Baroque Soloists; John Eliot Gardiner, dir. [Netherlands]: Philips, 1989. 422 351-2 Philips<\/p>\n

Georg Friedrich H\u00e4ndel: Jephtha<\/i>. Christiane Oelze (Iphis); Catherine Denley (Storge); Axel Kohler (Hamor); John Mark Ainsley (Jephtha); Michael George (Zebul); RIAS-Kammerchor; Akademie f\u00fcr alte Musik Berlin; Marcus Creed, dir. [Berlin?]: Berlin Classics, 1994. BC 1057-2 Berlin Classics<\/p>\n

Online recording:<\/p>\n

Ivor Bolton<\/a> (complete performance, chorus at 1:15:23)<\/p>\n

19. Ennemond Gaultier, Pieces for Lute<\/strong><\/p>\n

Ennemond & Denis Gaultier: \u201cLivre de luth de Perrine\u201d 1680<\/i>. Louis Pernot, lute. Denver: Ad Hoc Records, [r2004]. Ad Hoc 11<\/p>\n

La Sudeoise: Music in Baroque Sweden<\/i>. Tommie Andersson. Musica Rediviva, 1992. MRCD-003<\/p>\n

La Belle Homicide: Manuscrit Barbe<\/i>. Rolf Lislevand. Astr\u00e9e, 2003. Naive E8880<\/p>\n

Online recordings (original versions for lute):<\/p>\n

a. Courante \u201cL’immortelle\u201d:\u00a0unidentified performer (Arto Wikla?)
<\/a>b. Allemande (Tombeau de Mesangeau<\/i>):\u00a0Masaaki Igarashi
<\/a>c. Gigue \u201cLa Poste\u201d:\u00a0Xavier Diaz-Latorre<\/a><\/p>\n

Click below to hear each piece performed by the author on harpsichord (Perrine’s transcriptions):<\/p>\n

a. Courante \u201cL’immortelle\u201d
<\/a>b. Allemande (Tombeau de Mesangeau<\/i>)
<\/a>c. Gigue \u201cLa Poste\u201d<\/a><\/p>\n

To hear the first example in the commentary, from an allemande by Gaultier (performed by the author on harpsichord),\u00a0click here.<\/a><\/p>\n

20. Girolamo Frescobaldi, Toccata 7 from\u00a0Libro<\/i>\u00a0II<\/strong><\/p>\n

Girolamo Frescobaldi: Toccatas & Partitas.<\/i>\u00a0Fabio Bonizzoni, harpsichord. San Lorenzo de El Escorial: Glossa, 2012. GCD 921514.<\/p>\n

Girolamo Frescobaldi: Il secondo libro di toccate, 1637<\/i>. Marco Vitale, organ. Incipit Records, 2006. ICP 06001.<\/p>\n

For a performance by the author,\u00a0click here<\/a>.<\/p>\n

For a performance on the organ by Lorenzo Antinori,\u00a0click here (video)<\/a>.<\/p>\n

21. Elizabeth Jacquet de La Guerre: Suite 3 in A minor<\/strong><\/p>\n

Prot\u00e9g\u00e9e of the Sun King: Music by Jacquet de La Guerre<\/i>. Frances Conover Fitch, harpsichord.\u00a0Baton Rouge: Centaur, 2005. CRC 2781\/2782.<\/p>\n

Sonates pour le viollon (1707)<\/i>. Byron Schenkman, harpsichord. Berkeley: Wildboar, 1996.\u00a0WLBR 9601<\/p>\n

Elisabeth-Claude Jacquet de La Guerre: Harpsichord Suites Nos. 1\u20136<\/i>. Elizabeth Farr, harpsichord. Naxos 8.557654-55 (2005).<\/p>\n

Elliot Figg<\/a><\/p>\n

Performances by the author:<\/p>\n

a. Pr\u00e9lude
<\/a>b. Allemande
<\/a>c. [1\u00e8re] Courante
<\/a>d. Sarabande
<\/a>e. Gigue<\/a>\u00a0(mm. 1\u20135 only)<\/p>\n

22. Dietrich Buxtehude: Praeludium in A Minor, BuxWV 153<\/strong><\/p>\n

Dieterich Buxtehude: Complete Organ Works Vol. 7<\/i>. Harald Vogel, organ (Hamburg, St. Jacobi, by Schnitger). Detmold: Dabringhaus und Grimm, 2001. MDG 314 0427-2.<\/p>\n

The Arp Schnidtger Organ at the St. Cosmae Church in Stade<\/i>. Jacques van Oortmerssen, organ. Nippon Columbia, 1982, 1985. CM-7492 Denon<\/p>\n

Piet Kee plays Bach & Buxtehude on the newly restored organ of St. Laurens, Alkmaar<\/i>. Piet Kee, organ. Colchester: Chandos, 1989. CHAN 0501 Chandos; EBRD 0501 Chandos<\/p>\n

Die authentische Orgel<\/i>. Gustav Leonhardt, organ. Hamburg: RCA Red Seal, 1982. RL 30852 RCA Red Seal<\/p>\n

Online recordings:<\/p>\n

Rainer Oster<\/a> (organ by Arp Schnitger, Hamburg\u2014score video only!)<\/p>\n

Peter van der Zwaag<\/a> (video, Baroque organ)<\/p>\n

23. Johann Sebastian Bach: Prelude and Fugue in G, BWV 860, from\u00a0The Well-Tempered Clavier<\/i>, Part 1<\/strong><\/p>\n

Johann Sebastian Bach: Das wohltemperierte Clavier<\/i>. Davitt Moroney, harpsichord. [Arles, France]: Harmonia Mundi France, 1988. HMC 901285.88<\/p>\n

Johann Sebastian Bach: Das wohltemperierte Clavier: Praludien und Fugen: Teil 1<\/i>. Kenneth Gilbert, harpsichord. Hamburg : Archiv, 1984. 413 439-2 Archiv Produktion; 413 440-2 Archiv Produktion; 413 441-2 Archiv Produktion; 413 442-2 Archiv Produktion; 413 443-2 Archiv Produktion; 413 439-1 Archiv Produktion<\/p>\n

Each movement performed by the author:<\/p>\n

Prelude
<\/a>Fugue<\/a><\/p>\n

25. Fran\u00e7ois Couperin:\u00a0Vignt-uni\u00e8me ordre<\/i><\/strong><\/p>\n

Fran\u00e7ois Couperin: Quatri\u00e8me livre de clavecin<\/i>. Kenneth Gilbert, harpsichord. Arles : Harmonia Mundi France, 1989. HMA 190359<\/p>\n

Fran\u00e7ois Couperin: Quatri\u00e8me livre: Vingti\u00e8me, vingt-uni\u00e8me, vingt-deuxi\u00e8me & vingt-troisi\u00e8me ordres.\u00a0<\/i>Blandine Verlet, harpsichord. [France]: Astree Auvidis, 1989. E 7760 Astree Auvidis; 7760 Astree<\/p>\n

Fran\u00e7ois Couperin: Quatri\u00e8me livre de pi\u00e8ces de clavecin<\/i>. Olivier Baumont, harpsichord. [France]: Musifrance, 1992. 2292-45824-2 Musifrance; 45824 Erato<\/p>\n

Performed by the author:<\/p>\n

La reine des c\u0153urs
<\/a>La Couperin<\/a><\/p>\n

26. Salamone Rossi:\u00a0Sonata sopra La Bergamasca<\/i><\/strong><\/p>\n

La Golferamma: Musica Italiana, 1600\u20131650.<\/i>\u00a0Le Concert Bris\u00e9; William Dongois, dir. Accent, 2002. ACC10402.<\/p>\n

Rossi and his Circle: Italian String Music of the Late Renaissance.<\/i>\u00a0Rebel Consort; J\u00f6rg-Michael Schwarz, dir. PGM 118 (Dorian 93184).<\/p>\n

Online recording:<\/p>\n

Seattle Baroque Soloists<\/a>\u00a0(video)<\/p>\n

27. Biagio Marini:\u00a0Sonata variata<\/i>\u00a0for violin and continuo<\/strong><\/p>\n

Marini: Curiose e moderne inventioni<\/i>. Romanesca; Andrew Manze, dir. Arles: Harmonia Mundi, 1997. HMX 2907175<\/p>\n

Biagio Marini: Opus 8, Con curiose e moderne inventioni<\/i>. CordArte. Goseck: Raumklang (Bayerischer Rundfunk), 2004. RK 2306<\/p>\n

Stradella [et al.]: Early Italian Violin Sonatas<\/i>. Convivium (Elizabeth Wallfisch, violin, et al.) London: Hyperion, 1998. CDA66985 Hyperion; 66985 Hyperion Records<\/p>\n

Online recording:<\/p>\n

Capriccio Stravagante<\/a><\/p>\n

Video:<\/p>\n

Neyza Copa<\/a><\/p>\n

28. Heinrich Ignaz Franz Biber: Sonata 5 in E minor for violin and continuo (1681)<\/strong><\/p>\n

Biber: Violin Sonatas, 1681 [et al.]<\/i>. Ensemble Sonnerie; Monica Hugget, violin. Gaudeamus, 2001. GAUD 203.<\/p>\n

Heinrich Ignaz Franz von Biber: Violin Sonatas (1681)<\/i>. Gunar Letzbor, violin. Pan Classics, 2011. New Pan 10245.<\/p>\n

Biber: Violin Sonatas<\/i>. Andrew Manze, violin; Romanesca. Los Angeles: Harmonia Mundi USA, 1994. HMX 2907344.45<\/p>\n

Online recording:<\/p>\n

Augusta McKay Lodge (violin) with <\/a>Keiran Campbell (cello),\u00a0<\/a>Adam Cockerham (theorbo), and Elliot Figg (harpsichord)<\/a> (video)<\/p>\n

29. Arcangelo Corelli: Sonata in C for violin and continuo, op. 5, no. 3<\/strong><\/p>\n

Corelli’s Band: Violin Sonatas.<\/em> Naxos, 2020. 8.574239<\/a>. Augusta McKay Lodge (violin) with Ezra Seltzer (cello), Adam Cockerham (theorbo), and Elliot Figg (harpsichord).<\/p>\n

Corelli: Violin Sonatas, Op. 5<\/i>. Andrew Manze, violin. Harmonia Mundi, 2003. HMU 907298.99<\/p>\n

Arcangelo Corelli: Violin Sonatas op. 5<\/i>. Trio Sonnerie. London: Virgin Classics, 1990. VCD 5 45078 2<\/p>\n

Arcangelo Corelli: Violin Sonatas, op. 5<\/i>. The Locatelli Trio (Elizabeth Wallfisch, violin; Paul Nicholson, harpsichord, organ; Richard Tunnicliffe, cello). London: Hyperion, 1990. CDA 66381-CDA 66382 Hyperion<\/p>\n

Arcangelo Corelli: Trio Sonatas<\/i>. London Baroque; Charles Medlam, dir. K\u00f6ln: EMI, 1987. CDC 7 47965 2 EMI; CDC-47965 EMI<\/p>\n

Online videos:<\/p>\n

Daniel Lee<\/a><\/p>\n

Vera Otasek<\/a> (on-the-shoulder playing)<\/p>\n

Augusta McKay Lodge<\/a> (video, movements 1 and 2)<\/p>\n

Augusta McKay Lodge<\/a> (video: a different performance of movement 1)<\/p>\n

30. Giuseppe Torelli: Sinfonia in D for trumpet, strings, and continuo, G. 8<\/strong><\/p>\n

Torelli: Concertos<\/i>. Collegium Musicum 90; Simon Standage, dir. Colchester: Chandos, 2005. CHAN 0716<\/p>\n

The same recording, online<\/a><\/p>\n

31. Arcangelo Corelli: Concerto grosso in G minor, op. 6, no. 8, \u201cChristmas\u201d<\/strong><\/p>\n

Arcangelo Corelli: Opera VI\u2014Concerto Grossi, concerti 7\u201312.<\/i>\u00a0Modo Antiquo; Federico Maria Sardelli, dir. Tactus, 2004. TC 650308.<\/p>\n

Twelve Concerti Grossi, Op. 6<\/i>. Brandenburg Consort; Roy Goodman, dir. London: Hyperion, 1993. Hyperion CDA66741<\/p>\n

Concerti grossi op. 6<\/i>. Ensemble 415; Chiara Bianchini, dir. Saint-Michel de Provence: Harmonia Mundi France, 1992. HMC 901406.07<\/p>\n

Arcangelo Corelli: Concerti grossi, op. 6<\/i>. La Petite Bande; Sigiswald Kuijken, dir. Freiburg: Deutsche Harmonia Mundi, 1990. 77007-2-RG<\/p>\n

Online videos:<\/p>\n

Freiburg Baroque Orchestra<\/a>
Musica Amphion<\/a><\/p>\n

32. Antonio Vivaldi: Concerto in E for violin, strings, and continuo, op. 3, no. 12 (R. 265)<\/strong><\/p>\n

Vivaldi: L’estro armonico<\/i>. Jeanne Lamon, violin; Tafelmusik Baroque Orchestra. Analekta, 2007. AN 2 9834.<\/p>\n

Antonio Vivaldi: L’Estro armonico op. 3, vol. 2<\/i>. Accademia Bizantina; Ottavio Dantone, dir. Arts Music, 2002. ARTS 47647-8.<\/p>\n

Vivaldi: L’estro armonico<\/i>. Federico Guglielmo, violin; L’Arte dell’Arco; Christopher Hogwood, dir. Chandos, 2002. CHAN0689-90<\/p>\n

Antonio Vivaldi: L’estro armonico, op. 3<\/i>. The English Concert; Trevor Pinnock, dir. Hamburg: Archiv Produktion, 1987. Archiv Produktion: 423 094-1\/2\/4<\/p>\n

Online recording:<\/p>\n

Accademia Bizantina<\/a> (first movement)
same<\/a> (second movement)
same<\/a> (third movement)<\/p>\n

33. Johann Sebastian Bach: Brandenburg Concerto no. 2 in F, BWV 1047<\/strong><\/p>\n

Bach: Brandenburg Concertos<\/i>. Academy of Ancient Music; Richard Egarr, dir. Harmonia Mundi, 2009. HMU 807461.62.<\/p>\n

J. S. Bach: The Six Brandenburg Concertos [et al.]<\/i>. Apollo’s Fire; Jeannette Sorrell, dir. Avie Records, 2010. AV 2207.<\/p>\n

J. S. Bach: Brandenburg Concertos<\/i>. Freiburg Baroque Orchestra, directed by Friedrich von der Goltz (violin). DVD, filmed in the C\u00f6then castle where Bach may have first performed these works. Image Entertainment, 2000. ID0663EIDVD<\/p>\n

J. S. Bach: Brandenburg Concertos; Concertos BWV 1060, 1062, 1064<\/i>. Academy of Ancient Music; Christopher Hogwood, dir. London: Editions de Oiseau-Lyre, [1997], 1985. 455 700-2 (455 701-2–455 702-2) Editions de Oiseau-Lyre<\/p>\n

Bach: Brandenburg Concerto no. 1 in F major, BWV 1046; Brandenburg Concerto no. 2 in F major, BWV 1047 ; Brandenburg Concerto no. 3 in G major, BWV 1048 ; Orchestral Suite no. 1 in C major, BWV 1066<\/i>. Musica Antiqua K\u00f6ln; Reinhard Goebel, dir. Hamburg : Polydor International, 1996. Archiv Produktion, 447287-2.<\/p>\n

Online recording:<\/p>\n

Freiburg Baroque Orchestra<\/a>\u00a0(video)<\/p>\n

Part 2: Examples in\u00a0Music of the Baroque<\/i>\u00a0(third edition)<\/strong><\/p>\n

Listed below are recordings of the\u00a0complete<\/i>\u00a0works from which excerpts are given as examples in the textbook and anthology.\u00a0Click here for a separate list of audio files for the examples themselves.<\/a>\u00a0See above for Selections in the anthology.<\/p>\n

Example 3.1. Luzzaschi,\u00a0La Primavera<\/i><\/strong><\/p>\n

Virtuoso Italian Vocal Music<\/i>. Catherine Bott; New London Consort; Philip Pickett, dir. London: L’Oiseau-Lyre, 1988. 417 260-2 L’Oiseau-Lyre<\/p>\n

The Secret Music of Luzzascho Luzzaschi<\/i>. Musica Secreta (Deborah Roberts, Tessa Bonner, Suzie Leblanc, sopranos, et al.). Wotton-under-Edge, Glos., England: Amon Ra (distributed by Qualiton Imports), 1992. CD-SAR 58 Amon Ra<\/p>\n

Online recording:<\/p>\n

Salome Sandoval<\/a> (video, accompanying herself on lute)<\/p>\n

Example 3.2. Cavalieri,\u00a0Godi turba mortal<\/i>, from Intermedio VI for\u00a0La Pellegrina<\/i><\/strong><\/p>\n

La Pellegrina: IOntermedii 1589<\/i>. Capriccio Stravagante; Collegium Vocale Gent; Skip Semp\u00e9, dir. Paradizo, 2007. PA 0004.<\/p>\n

La Pellegrin: Music for the Wedding of Ferdinando de’ Medici and Christine de Lorraine<\/i>. Huelgas Ensemble; Paul van Nevel, dir. Sony Vivarte, 1998<\/p>\n

Una \u201cStravaganza\u201d dei Medici [sound recording]: Intermedi (1589) per \u201cLa pellegrina.\u201d<\/i>\u00a0Tessa Bonner, Emma Kirkby, Emily van Evera, sopranos; Nigel Rogers, tenor; Taverner Consort; Taverner Choir; Taverner Players; Andrew Parrott, dir. [England?] : EMI, 1988. CDC 7 47998 2 EMI; 747998-2 EMI<\/p>\n

Staged videos:<\/p>\n

USC-Thornton Baroque<\/a> (\u201cGodi\u201d begins at 5:17)
Taverner Consort<\/a> (an older but more historically orientated performance; “Godi” begins at 5:38)<\/p>\n

Example 4.1. Monteverdi,\u00a0Lamento della ninfa<\/i><\/strong><\/p>\n

Monteverdi: Lamento della Ninfa<\/i>. Concerto Italiano; Rinaldo Alessandrini, dir. Na\u00efve, 2008. NAI 30465<\/p>\n

Online videos:<\/p>\n

Pinchgut Opera<\/a>
Francesca Lombardi Mazzulli<\/a> (example begins at 1:08)<\/p>\n

Examples 4.2\u20133. Monteverdi,\u00a0Il combattimento di Tancredi e Clorinda<\/i><\/strong><\/p>\n

Monteverdi: Combattimento di Tancredi & Clorinda<\/i>. Akademia Ensemble; Fran\u00e7oise Laserre, dir. Zig Zag Territoires, 2005. ZZT 051003<\/p>\n

Monteverdi: Ottavo libro dei madrigali. Vol. II<\/i>. Concerto Italiano; Rinaldo Alessandrini, dir. Paris: Opus 111, 1998. OPS 30-196<\/p>\n

Claudio Monteverdi: Il combattimento di Tancredi e Clorinda; Lamento d’Arianna; Lamento d’Olimpia<\/i>. Nigel Rogers, tenor; Musica Antiqua K\u00f6ln. Hamburg: Polydor International, 1981. Archiv Produktion 415 296-2; ARC-415296-2 Deutsche Grammophon<\/p>\n

Online recording:<\/p>\n

Ensemble Alraune<\/a> (video, staged in historical style)
Les Arts Florissants<\/a> (concert video)
Nederlandse Opera<\/a> (staged video)<\/p>\n

Examples 4.4\u20136. Monteverdi:\u00a0L’incoronazione di Poppea<\/i><\/strong><\/p>\n

Monteverdi: L’incoronazione di Poppea.<\/i>\u00a0DVD. Anne Sofie von Otter;, Mireille Delunsch; Les Musiciens du Louvre; Marc Minkowski, dir. Bel Air Classiques, 2006.<\/p>\n

Monteverdi: L’incoronazione di Poppea<\/i>. Arleen Auger, Sarah Leonard, sopranos; Della Jones, Linda Hirst, mezzo-sopranos; James Bowman, countertenor; Gregory Reinhart, bass ; supporting soloists; City of London Baroque Sinfonia; Richard Hickox, conductor. London: Virgin Classics, 1990. 7243 5 45082 2 6 Virgin Classics; 7243 5 45083 2 5 Virgin Classics; 7243 5 45084 2 4 Virgin Classics; 7243 5 45085 2 3 Virgin Classics; VCT 5 45082 2 Virgin Classics; CDCC 5 45082 2 Virgin Classics; 5 45082 2 Virgin Classics; 5 45083 2 Virgin Classics; 5 45084 2 Virgin Classics; 5 45085 2 Virgin Classics<\/p>\n

Claudio Monteverdi: L’incoronazione di Poppea: opera in un prologo e tre atti<\/i>. Carmen Balthrop, Judith Nelson, sopranos; Andrea Bierbaum, Carolyn Watkinson, mezzo-sopranos; Henri Ledroit, countertenor; Ulrik Cold, bass; Il Complesso Barocco; Alan Curtis, dir. Italy: Fonit Cetra Italia, 1994. CDC 76 Fonit Cetra<\/p>\n

Online recording:<\/p>\n

La Venexiana<\/a>\u00a0(video of the complete opera)<\/p>\n

Example 4.7. Cavalli,\u00a0Giasone<\/i><\/strong><\/p>\n

Cavalli: Il Giasone<\/i>. Christophe Dumaux, Katarina Bradi\u0107, Robin Johannsen; Vlaamse Opera; Federico Maria Sardelli, dir. Dynamic, 2010. CDS 663\/1\u20133. Also released on DVD<\/p>\n

Online recording:<\/p>\n

Catherine Dubosc, Ren\u00e9 Jacobs<\/a> (audio, with modern orchestration)
Federico Maria Sardelli<\/a>\u00a0(video, incantation scene\u2014not the present example)<\/p>\n

Example 5.2. Purcell,\u00a0Dido and Aeneas<\/i><\/strong><\/p>\n

Henry Purcell: Dido and Aeneas<\/i>. Emma Kirkby, Judith Nelson, Judith Rees, sopranos; Jantina Noorman, mezzo-soprano; David Thomas, bass-baritone; Taverner Choir; Taverner Players; Andrew Parrott, dir. London: Chandos Records, 1981. CHAN 8306<\/p>\n

Henry Purcell: Dido and Aeneas<\/i>. Maria Ewing and Rebecca Evans, sopranos; Sally Burgess, mezzo-soprano; Karl Daymond, baritone; Collegium Musicum 90; Richard Hickox, dir. Colchester: Chandos Records, 1995. CHAN 0586 Chandos Records; Chandos. CHAN 0586<\/p>\n

Purcell: Dido and Aeneas<\/i>. Guillemette Laurens, Jill Feldman, Philippe Cantor; Les Arts Florissants; William Christie, dir. Saint-Michel de Provence: Harmonia Mundi, 1986. HMC 905173<\/p>\n

Online recording:<\/p>\n

Emma Kirkby<\/a> (concert video)<\/p>\n

Example 6.1. Gu\u00e9dron,\u00a0Vous que le bonheur rappelle<\/i><\/strong><\/p>\n

Robert Dowland: A Musicall Banquet (1610)<\/i>. Consort of Musicke; Anthony Rooley, dir. London: \u00c9ditions de l’Oiseau-Lyre, 1979. Oiseau-Lyre DSLO 555<\/p>\n

online recordings:<\/p>\n

Emma Kirkby, David Thomas<\/a>
Andreas Scholl<\/a><\/p>\n

Example 7.1\u00a0\u00a0\u00a0G. Gabrieli,\u00a0Ego sum qui sum<\/i><\/strong><\/p>\n

online recording:<\/p>\n

Complesso Vocale<\/a><\/p>\n

The opening of this work is similar (but not identical) to the setting of the same text by Andrea Gabrieli, uncle of the composer. A performance of Andrea’s setting by an unidentified ensemble is available online\u00a0<\/i>here<\/i><\/a>.<\/i><\/p>\n

Example 7.2. Gabrieli,\u00a0Canzon III septimi toni<\/i>\u00a0(1597)<\/strong><\/p>\n

Giovanni Gabrieli: The Canzonas and sonatas from\u00a0<\/i>Sacrae Symphoniae\u00a01597<\/i>. His Majestys Sagbutts and Cornetts; Timothy Roberts, dir. Hyperion, 1997. CDA66908.<\/p>\n

Online recording:<\/p>\n

Green Mountain Project<\/a> (video)<\/p>\n

Example 7.3. Gabrieli,\u00a0Sonata con tre violini<\/i>\u00a0(1615)<\/strong><\/p>\n

The Feast of San Rocco, Venice, 1608<\/i>. La Capella Ducale; Musica Fiata K\u00f6ln; Roland Wilson, dir. New York: Sony Classical, 1995. S2K 66254 Sony Classical; 64591 Sony Classical; 64592 Sony Classical<\/p>\n

Giovanni Gabrieli: Canzonas; Sonatas; Motets<\/i>. Taverner Consort, Choir and Players; Andrew Parrott, dir. Hayes, Middlesex: EMI, 1991. EMI Classics D135132<\/p>\n

Venice preserv’d<\/i>. Emma Kirkby, Judith Nelson, sopranos; Nigel Rogers, tenor; Academy of Ancient Music; Christopher Hogwood, dir. London: Editions de l’Oiseau-Lyre, [1990], 1980. 425 891-2 Oiseau-Lyre; 425891 Oiseau-Lyre<\/p>\n

Online recording:<\/p>\n

Zohar Alon et al.<\/a>\u00a0(video)<\/p>\n

Example 7.4. Sch\u00fctz,\u00a0Herr, neige deine Himmel<\/i><\/strong><\/p>\n

Sch\u00fctz: Symphoniae sacrae II<\/i>. Musica Fiata; Roland Wilson, dir. Sony, 1997. Vivarte 68261.<\/p>\n

Sch\u00fctz: Symphoniae sacrae, op. 10<\/i>. Richard Wistreich, Stephen Varcoe, basses; The Purcell Quartet. Colchester: Chandos, 1994. CHAN 0566\/7<\/p>\n

Online recording:<\/p>\n

Ricercar Ensemble<\/a><\/p>\n

Examples 7.5\u20136. Lalande,\u00a0De profundis<\/i><\/strong><\/p>\n

Michel-Richard de Lalande: Regina coeli, De profundis, Cantate Domino<\/i>. Ex Cathedra; Jeffrey Skidmore, dir. London: ASV (Academy Sound and Vision), 1995. CD GAU 141 (Gaudeamus)<\/p>\n

De Lalande: De profundis [et al.]<\/i>. Choir of New College Oxford; Edward Higginbottom, dir. Erato<\/p>\n

Online recording:<\/p>\n

Ensemble Pygmalion<\/a><\/p>\n

Example 8.1. Rameau,\u00a0Laboravi clamans<\/i><\/strong><\/p>\n

Jean-Philippe Rameau: Grands motets<\/i>. Ch\u0153urs et Orchestre de la Chapelle Royale; Philippe Herreweghe, dir. Saint-Michel de Provence: Harmonia Mundi, 1982. HM 1078<\/p>\n

Online recording:<\/p>\n

Contraposto<\/a><\/p>\n

Example 8.3. Rameau,\u00a0Hippolyte et Aricie<\/i><\/strong><\/p>\n

Jean Philippe Rameau: Hippolyte et Aricie<\/i>. Les Arts Florissants; William Christie, dir. Erato, 2012. Erato 2564 66305-2.<\/p>\n

Jean Philippe Rameau: Hippolyte et Aricie<\/i>. Solistes du Studio Versailles Op\u00e9ra; Les Musiciens du Louvre; Marc Minkowski, dir. Hamburg: Deutsche Grammophon, 1995. 445 853-2 Archiv Produkution<\/p>\n

Online recording:<\/p>\n

Concert d’Astr\u00e9e<\/a>\u00a0(video, Paris Opera,\u00a0trio des Parques<\/i>)<\/p>\n

Example 9.6. Handel,\u00a0Lotario<\/i><\/strong><\/p>\n

Handel: Lotario<\/i>. Il Complesso Barocco. Alan Curtis, dir. Deutsche Harmonia Mundi, 2004.<\/p>\n

Online video:<\/p>\n

Laurence Cummings<\/a> (complete opera; this example at 1:36:35)<\/p>\n

Example 9.7. Franz Wenzel Habermann, Missa III from\u00a0Philomela pia<\/i><\/strong><\/p>\n

Example 10.1a. Anonymous variations on a\u00a0ceccona<\/i>\u00a0(chaconne) for archlute, from a manuscript partly in the hand of the composer and lutenist Andrea Falconieri<\/strong><\/p>\n

Example 10.1b.\u00a0Passacalli passeggiati\u00a0<\/i>(harmonic pattern for a passacaglia) for guitar, from Giovanni Ambrosio Colonna,\u00a0Intavolatura di chitarra alla spagnuola<\/i><\/strong><\/p>\n

Example 10.2a. Kapsberger, Passacaglia in D minor for theorbo, from\u00a0Libro quarto d’intavolatura di chitar[r]one<\/i><\/strong><\/p>\n

Online videos:<\/p>\n

Ferran Pis\u00e0<\/a>
Francesca Benetti<\/a> (accompanied by birds)<\/p>\n

Example 10.2b. Francesco Corbetta,\u00a0Passachaglie<\/i>\u00a0in F for guitar, from\u00a0Vari capricii<\/i><\/strong><\/p>\n

There seem to be no online recordings of this work, but click here<\/a> a video of a similar composition by Corbetta, played on five-course Baroque guitar<\/em><\/p>\n

Example 10.3. Ennemond Gaultier, Courante \u201cL’immortelle,\u201d mm. 1\u201312<\/strong><\/p>\n

See under Selection 19 in Part 1.<\/p>\n

Example 10.4. Giovanni Gabrieli,\u00a0Intonazione del secondo tono<\/i>\u00a0(complete)<\/strong><\/p>\n

Online recording:<\/p>\n

Steven Devine<\/a><\/p>\n

Example 10.5. Frescobaldi,\u00a0Partite sopra l’Aria della Romanesca<\/i><\/strong><\/p>\n

Frescobaldi: Toccate d’intavolatura di cimbalo et organo. Libro primo<\/i>. Rinaldo Alessandrini, harpsichord and organ. [Metz]: Arcana, 1993. A 904 Arcana; A 51 Arcana; A 52 Arcana<\/p>\n

Online recording:<\/p>\n

Julius Lorscheider<\/a><\/p>\n

Example 10.6. D’Anglebert,\u00a0Passacaille<\/i>\u00a0from\u00a0Armide<\/i><\/strong><\/p>\n

Jean-Henri d’Anglebert: Pi\u00e8ces de clavecin<\/i>. Arthur Haas, harpsichord. Wildboar<\/p>\n

Pi\u00e8ces de Jean-Baptiste Lully elabor\u00e9es pour clavecin par Jean-Henry d’Anglebert<\/i>. Kenneth Gilbert, harpsichord. Arles: Harmonia Mundi France, 1987. HMC 901267 Harmonia Mundi France<\/p>\n

Online video:<\/p>\n

Ayumi Nakagawa<\/a><\/p>\n

Example 10.7. Froberger,\u00a0Meditation sur ma mort future<\/i>, from Suite 20 in D<\/strong><\/p>\n

J. J. Froberger: Pour passer la m\u00e9lancolie<\/i>\u00a0(Froberger Edition, vol. 4). Bob van Asperen, harpsichord. 2004. Aeolus AE10074<\/p>\n

Johann Jakob Froberger: The Complete Keyboard Works,<\/i>\u00a0vol. 4. Richard Egarr, harpsichord. Globe GLO-6025<\/p>\n

Online recordings:<\/p>\n

Gustav Leonhardt (1962)<\/a><\/p>\n

Performed \u00a0by the author:
a.\u00a0allemande
<\/a>b.\u00a0gigue
<\/a>c.\u00a0courante
<\/a>d.\u00a0sarabande<\/a><\/p>\n

Example 10.8. Jacquet de La Guerre, Suite in A minor,\u00a0pr\u00e9lude<\/i>, opening (possible performance)<\/strong><\/p>\n

See under Selection 21 in Part 1.<\/p>\n

Example 10.9. Jacquet de La Guerre, Suite in A minor<\/strong><\/p>\n

See under Selection 21 in Part 1.<\/p>\n

Example 11.1a. Johann Hermann Schein,\u00a0Nun bitten wir den heiligen Geist<\/i>,\u00a0<\/i>four-part chorale setting from\u00a0Cantional<\/i>\u00a0(1627)<\/strong><\/p>\n

Example 11.1b. Buxtehude,\u00a0Nun bitten wir den heiligen Geist<\/i>, BuxWV 208<\/strong><\/p>\n

Int\u00e9grale de l’\u0153uvre d’orgue<\/i>. Ren\u00e9 Saorgin, organ. Saint-Michel de Provence: Harmonia Mundi, 197-. HM 505(7).<\/p>\n

Buxtehude: \u0152uvres pour orgue<\/i>. Marie-Claire Alain, organ. [France]: Erato, 1988. ECD 75370 Erato; ECD 74371 Erato; ECD 74372 Erato; ECD 75373<\/p>\n

Online recording:<\/p>\n

Mario Hosbach-Martini<\/a> (Schnitger organ, Hamburg, 1688)<\/p>\n

Examples 11.2a and 11.2b. Rameau,\u00a0Les trois mains<\/i>\u00a0and\u00a0L’Egyptienne<\/i><\/strong><\/p>\n

Werke f\u00fcr Cembalo.\u00a0<\/i>Kenneth Gilbert, harpsichord. Archiv, p1977. 2710 020 (2533 352-2533 354) Archiv<\/p>\n

Online videos:<\/p>\n

Isadora Kuzmanovic<\/a> (Les trois<\/em> mains, showing hands only)
Isadora Kuzmanovic<\/a> (L’egyptienne<\/em>)<\/p>\n

Example 11.3. Domenico Scarlatti, Sonatas in A, K. 181 and 182<\/strong><\/p>\n

Domenico Scarlatti: L’\u0153uvre pour clavier<\/i>. Scott Ross, harpsichord and organ. France: Erato, p1988. 2292-45309-2 Erato; ECD 75401 Erato; 45309 Erato<\/p>\n

Online recording:<\/p>\n

Scott Ross<\/a> (K. 181)
Pieter-Jan Belder<\/a> (K. 182)<\/p>\n

Example 12.1a. Castello,\u00a0Sonata terza a 2<\/i>\u00a0from\u00a0Sonate concertate<\/i>, book 2<\/strong><\/p>\n

Dario Castello: Sonate concertate in stil moderno, libro secondo<\/i>. Musica Fiorita; Daniela Dolci, dir. Bologna: Tactus, 2006. TC 590301<\/p>\n

Online recording:<\/p>\n

La Fenice<\/a><\/p>\n

Example 12.1b. Castello,\u00a0Sonata ottava a 2<\/i>, from\u00a0Sonate concertate<\/i>, book 1<\/strong><\/p>\n

Dario Castello; Giovanni Battista Fontana: Sonate concertate in stil moderno<\/i>. Johall Hoolway, Lars Ulrik Mortensen, Jane Gower. ECM New Series, 2012. ECM 2106.<\/p>\n

Online recording:<\/p>\n

Gregorio Carraro et al.<\/a><\/p>\n

Example 12.2. Salamone Rossi,\u00a0Sonata in dialogo La Viena<\/i><\/strong><\/p>\n

Rossi and His Circle<\/i>. REBEL (J\u00f6rg-Michael Schwarz, Karen Marie Marmer, violins; Susie Napper, violoncello; Eric Milnes, harpsichord, organ; Mike Fentross, chitarrone, Baroque guitar). New York: Dorian, 1999. DOR-93184 Dorian<\/p>\n

Musique judeo-baroque<\/i>. The Boston Camerata; Joel Cohen, dir. Arles: Harmonia Mundi, 1979. HMA 1901021<\/p>\n

Online video:<\/p>\n

Franciska Hajdu et al.<\/a><\/p>\n

Example 12.3. Castello,\u00a0Sonata decima a 3<\/i>, from\u00a0Sonate concertate<\/i>, book 2<\/strong><\/p>\n

Dario Castello: Sonate concertate in stil moderno, libro secondo<\/i>. Musica Fiorita; Daniela Dolci, dir. Bologna: Tactus, 2006. TC 590301<\/p>\n

The Floating City: Sonatas, Canzonas, and Dances By Two of Monteverdi’s Contemporaries<\/i>. His Majestys Sagbutts and Cornetts. London: Hyperion, 1997. CDA 67013<\/p>\n

Online video:<\/p>\n

Croatian Baroque Ensemble<\/a><\/p>\n

Example 12.4. Michel de La Barre,\u00a0Premi\u00e8re Sonate<\/i>, from\u00a0Troisi\u00e8me livre des trio<\/i><\/strong><\/p>\n

En trio: French Baroque Trio Sonatas for Two Flutes and Basse Continue.<\/i>\u00a0The Hannoverian Ensemble. MSR Classics<\/p>\n

Online recording<\/a> (from the above CD)<\/p>\n

Example 12.5a. Quantz, Sonata in G minor for flute and keyboard, QV 2: 35<\/strong><\/p>\n

Johann Joachim Quantz: Flute Sonatas<\/i>. Mary Oleskiewicz, flute; David Schulenberg,\u00a0harpsichord. Budapest: Hungaroton, 2011. HCD 32617<\/p>\n

Online recording<\/a> (a different movement, from the above CD)<\/p>\n

Example 12.5b. Quantz, Quartet in E minor for flute, violin, viola, and continuo, QV 4: 9<\/strong><\/p>\n

Johann Joachim Quantz: Six Flute Quartets<\/i>. Mary Oleskiewicz, flute; Elizabeth Field, violin; Daniel Elyar, viola; Stephanie Vial, cello; David Schulenberg, harpsichord. Hungaroton 32286<\/p>\n

Online video:<\/p>\n

Gwyn Roberts et al.<\/a><\/p>\n

Example 6. J. S. Bach, Sonata in A for violin and harpsichord, BWV 1015<\/p>\n

Online video:<\/p>\n

Monica Huggett, Bradley Brookshire<\/a><\/p>\n

Example 12.7a. Marini, Sonata IV per sonar con due corde per violino solo<\/i>, from\u00a0Sonate<\/i>, op. 8<\/strong><\/p>\n

Marini: Curiose e moderne inventioni<\/i>. Romanesca; Andrew Manze, dir. Arles: Harmonia Mundi, 1997. HMX 2907175<\/p>\n

Biagio Marini: Opus 8, Con curiose e moderne inventioni<\/i>. CordArte. Goseck: Raumklang (Bayerischer Rundfunk), 2004. RK 2306<\/p>\n

In stile moderno: The Fantastic Style in Early Seventeenth-Century Italy<\/i>. Ingrid Matthews, violin; Byron Schenkman, harpsichord. San Francisco: Wildboar, 1995 (distribution: Harmonia Mundi USA). WLBR9512<\/p>\n

Online video:<\/p>\n

Les Barocudas<\/a><\/p>\n

Example 12.7b. J. S. Bach, Sonata 2 in A minor for unaccompanied violin, BWV 1003<\/strong><\/p>\n

Bach: Sonatas and Partitas for Solo Violin<\/i>. Jaap Schr\u00f6der. Naxos.<\/p>\n

J. S. Bach: Sonatas and Partitas<\/i>. Monica Huggett. Virgin Veritas<\/p>\n

Bach: Sonatas and Partitas for Solo Violin.<\/i>\u00a0Elizabeth Wallfisch. Hyperion.<\/p>\n

Online video:<\/p>\n

Shunske Sato<\/a> (the fugue, our example, starts at 4:27)<\/p>\n

Example 12.8. Marco Uccellini, Sonata 18\u00a0a doi violini<\/i>, from\u00a0Sonate<\/i>, book 4 (Modena, 1645)<\/strong><\/p>\n

Uccellini: \u201cLa bergamesca.\u201d<\/i>\u00a0The Arcadian Academy; Nicholas McGegan, dir. Arles: Harmonia Mundi, 1993. HMX 2907066<\/p>\n

Online recording:<\/p>\n

Il Giardino Armonico<\/a> (our example at 3:50)<\/p>\n

Examples 12.9\u201310. Biber, \u201cMystery\u201d Sonatas 10 and 11<\/strong><\/p>\n

Biber: The Mystery of the Rosary<\/i>. Andrew Manze, violin; Richard Egarr, harpsichord. Harmonia Mundi, 2004. HMU 907321.22.<\/p>\n

Heinrich Ignaz Franz Biber: Rosenkranz-Sonaten<\/i>. Musica Antiqua K\u00f6ln (Reinhard Goebel, violin, et al.). Hamburg : Archiv Produktion, p1991. Archiv Produktion 431 656-2; Archiv Produktion 431 657-2; Archiv Produktion 431 658-2; 431656 Archiv<\/p>\n

Online recording:<\/p>\n

Rachel Podger<\/a> (Sonata 10 = Example 12.9)
Rachel Podger<\/a> (Sonata 11, Example 12.10 at about 6:00)<\/p>\n

Examples 12.11\u201312. Corelli, Sonata in D, op. 2, no. 1<\/strong><\/p>\n

Arcangelo Corelli: Sonatas for Strings. Vol. 1<\/i>. The Purcell Quartet. London: Chandos, p1991. CHAN 0516<\/p>\n

Arcangelo Corelli: Sonate da camera op. 2; Sonate da camera op. 4<\/i>. London Baroque (Ingrid Seifert, Richard Gwilt, violins; Charles Medlam, violoncello; Lars Ulrik Mortensen, harpsichord). Arles: Harmonia Mundi France, p1991. HMC 901342-HMC 901343<\/p>\n

Online recording:<\/p>\n

Musica Amphion<\/a><\/p>\n

Unidentified performers (score video)<\/a><\/p>\n

Example 14.1. Pergolesi, duet \u201cPer te ho nel core\u201d from the opera\u00a0Flaminio<\/i>\u00a0(1735)<\/strong><\/p>\n

Pergolesi: La serva padrona<\/i>. Maddalena Bonifaccio, sop.; Siegmund Nimsgern, bass; Collegium Aureum. Freiburg: Harmonia Mundi, 1969. 77184-2-RC Deutsche Harmonia Mundi<\/p>\n

Online videos:<\/p>\n

Barrocade Ensemble<\/a> (concert performance, with Hebrew subtitles)
Manuela Cucuccio, Salvo Disca<\/a> (staged)<\/p>\n

Example 14.2. Domenico Alberti, Sonata in E\u266d, second movement, mm. 1\u20134<\/strong><\/p>\n

Example 14.3. Johann Adolpf Hasse,\u00a0Cleofide<\/i><\/strong><\/p>\n

J.A. Hasse: Cleofide<\/i>. Emma Kirkby, Agnes Mellon, Randall K. Wong, sopranos; Derek Lee Ragin, Dominique Visse, David Cordier, altos; Cappella Coloniensis; William Christie, dir. K\u00f6nigsdorf: Capriccio, 1987. 10 139\/96 Capriccio; 10 193 Capriccio; 10 194 Capriccio; 10 195 Capriccio; 10 196 Capriccio<\/p>\n

Online recording:<\/p>\n

Derek Lee Ragin<\/a> (from the above CD)<\/p>\n

Example 14.4\u20136. Telemann,\u00a0Nouveaux quatuors<\/i>, no. 6<\/strong><\/p>\n

Paris Quartets<\/i>. Wilbert Hazelzet, flute; Trio Sonnerie. London: Virgin Classics, 1992. 91450 Virgin<\/p>\n

G. P. Telemann: Quatuors parisiens, Vol. 2<\/i>. Pariser Quartett (G\u00e9rard Scharapan, flute, et al.). Adda (distributed by Qualiton), 1988. 581037 Adda<\/p>\n

Georg Philipp Telemann: Concerti, Quartets, and Trios in the French and Italian Manner [sic]<\/i>. Aulos Ensemble. Tinton Falls, NJ: Musical Heritage Society, 1981. MHS 4477 Musical Heritage Society<\/p>\n

Online recordings:<\/p>\n

Les Ambassadeurs<\/a> (ex. 14.4)
Ensemble Florilegium<\/a> (ex. 14.5)
Ensemble Florilegium<\/a> (ex. 14.6)<\/p>\n

Example 14.7. C. P. E. Bach, \u201cW\u00fcrttemberg\u201d Sonata no. 1 in A minor, W. 49\/1<\/strong><\/p>\n

C. P. E. Bach: The Solo Keyboard Music<\/i>, vol. 16:\u00a0\u201cW\u00fcrttemberg Sonatas (I).\u201d<\/i>\u00a0Mikl\u00f3s Sp\u00e1nyi,\u00a0clavichord. BIS 1423.<\/p>\n

C. P. E. Bach: Sechs W\u00fcrttemburgische Sonaten<\/i>. Bob van Asperen, harpsichord. Elektra\/Wea, 1993 (= Teldec 9031-77623-2, 1978?).<\/p>\n

Click below for concert performances by the author; both performances incorporate the author\u2019s embellishments (varied reprises) for repeated sections; the two different cadenzas used in the slow movement are both by C.P.E. Bach.<\/i><\/p>\n

performed by the author on clavichord (Boston Clavichord Society, Cambridge, Mass., April 19, 2009):<\/span><\/p>\n

I. Moderato
<\/a>II. Andante
<\/a>III. Allegro assai<\/a><\/p>\n

performed by the author on harpsichord (Boston Early Music Festival, Boston, June 12, 2009):<\/p>\n

I. Moderato
<\/a>II. Andante
<\/a>III. Allegro assai<\/a><\/p>\n

Examples 14.8\u201310. C. P. E. Bach, Concerto in D minor, W. 23<\/strong><\/p>\n

C. P. E. Bach: Harpsichord Concertos<\/i>. Mikl\u00f3s Sp\u00e1nyi, harpsichord; Concerto Armonico. Budapest: Hungaroton, 1989. HCD 31159<\/p>\n

C. Ph. E. Bach: Concerti Wq 46; Wq 23; Wq 165.<\/i>\u00a0Gustav Leonhardt, harpsichord; Collegium Aureum. Freiburg: Harmonia Mundi, 1988. Deutsche Harmonia Mundi Editio Classica 77061-2-RG<\/p>\n

concert performance (solo part played by the author) at Wagner College, Oct. 15, 2014:<\/p>\n

I.\u00a0Allegro<\/a>
II.\u00a0Poco andante<\/a>
III.\u00a0Allegro assai<\/a><\/p>\n\n\n

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Discography and links to audio files forMusic of the BaroqueandMusic of the Baroque: An Anthology of Scores,\u00a0third editionby David Schulenberg (Oxford University Press, 2013) Part 1 of this file lists recordings for Selections whose scores are included in the anthology. … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":12,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1235","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/pages\/1235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/comments?post=1235"}],"version-history":[{"count":0,"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/pages\/1235\/revisions"}],"wp:attachment":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/media?parent=1235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}