{"id":1012,"date":"2013-02-11T01:32:51","date_gmt":"2013-02-11T01:32:51","guid":{"rendered":"http:\/\/faculty.wagner.edu\/david-schulenberg\/?page_id=1012"},"modified":"2021-09-16T16:26:06","modified_gmt":"2021-09-16T16:26:06","slug":"concerts","status":"publish","type":"page","link":"https:\/\/faculty.wagner.edu\/david-schulenberg\/concerts\/","title":{"rendered":"Concerts"},"content":{"rendered":"

David Schulenberg\u00a0<\/strong>
\nRecent and Upcoming Performances and Other Public Events<\/strong><\/p>\n

Vivaldi & Vino!<\/strong> House concert with Mary Oleskiewicz, flute, and Cynthia Roberts, violin; music by Leclair, Quantz, and Vivaldi, sponsored by Snug Harbor Wine, Duxbury, Mass.<\/a> (private location, Sept. 18, 2021)<\/p>\n

Bach’s sonata BWV 1030 for harpsichord and flute<\/strong>, with Mary Oleskiewicz, one of the American Bach Society\u2019s \u201cTiny Bach Concerts\u201d<\/a> (released May 24, 2021, also on YouTube<\/a>)<\/p>\n

Podcast on Bach and the\u00a0Six Solos<\/em> for violin,<\/strong> with Carrie Anne Tipton, ready for listening on the website of Bach Society Houston<\/a> (recorded Feb. 11, 2021)<\/p>\n

Pre-concert talk, “The Bach Motets,”<\/strong> Church of St. Luke-in-the-Fields, New York<\/a> (March 12, 2020, 7 p.m.)<\/p>\n

Paper, \u201cMozart and the Bach Tradition,\u201d<\/strong> joint meeting of the American Bach Society<\/a> and the Mozart Society of America, Stanford (Feb. 15, 2020)<\/p>\n

Soloist (second harpsichord), J.S. Bach, Quadruple Concerto BWV 1065, <\/strong>Hong Kong Baptist University (May 29, 2019). Hear a radio interview and short duo-recital with one of the three other soloists, Joyce Lindorff, recorded at Radio4 Hong Kong<\/a> on May 30, 2019.<\/p>\n

Bach’s “Triple Concerto” BWV 1044 and Its Models: lecture-performance for the American Bach Society<\/a><\/strong>at the Yale University Collection of Musical Instruments<\/a>, 15 Hillhouse Ave., New Haven, Conn. (Sat., April 28, 2018, 1:45 p.m.). J.S. Bach, Concerto in A minor for harpsichord, flute, violin, and strings, together with the prelude and fugue for harpsichord BWV 894 and a reconstruction of the trio-sonata movement BWV 527a\/2. With Mary Oleskiewicz, flute, and Jude Ziliak, violin<\/p>\n

Virtuosos of Eighteenth-Century Europe, Wagner College (October 25, 2017).<\/strong> C.P.E. Bach, Concerto in E minor for harpsichord and strings, W. 24; J.G. Graun, Quartet in D for viola, 2 violins, and continuo, GWV A:14:1; Handel,\u00a0Armida abbandonata;<\/em> and Nicolas Bernier’s Le caff\u00e9<\/em>\u00a0(coffee\u00a0cantata). With\u00a0Sylvia Maisonet, soprano; Jude\u00a0Ziliak and Augusta McKay Lodge, violins; Georgina McKay Lodge, viola; and\u00a0Sarah Stone, cello<\/p>\n

\u201cTelemann as \u2018General Capellmeister\u2019 to the Bach Family,\u201d\u00a0Temple University, Philadelphia (October 13, 2017),<\/strong> talk for conference Georg Philipp Telemann: Enlightenment and Postmodern Perspectives<\/em><\/p>\n

\u201cFroberger and the Invention of a New Keyboard Style\u201d (April 22, 2017),<\/strong>\u00a0lecture-recital for annual meeting of the Society for 17th-Century Music<\/a>, Providence, R.I.<\/p>\n

Bach’s\u00a0Cantata 82 (Ich habe genung<\/em>), Wagner College (April 12, 2017).<\/strong> Also Susanne<\/em> by Jacquet de La Guerre.\u00a0With Sylvia Maisonet, soprano, and Mary Oleskiewicz, flute<\/p>\n

\u201cExpression and Discr\u00e9tion: Froberger, Bach, and Performance\u201d (November 2, 2016),<\/strong> lecture recital for International Conference on Creativity and Performance, Hong Kong Baptist University<\/p>\n

\u201cFroberger and His Legacy,” harpsichord recital, University at Albany, N.Y. (Sept. 16, 2016).<\/strong> Works by Frescobaldi, Louis Couperin, and J. S. Bach alongside those of Froberger, commemorating the four hundredth anniversary of the latter’s birth<\/p>\n

John Cage, Apartment House 1776,<\/em>\u00a0Jordan Hall, New Enland Conservatory, Boston (June 20, 2016).<\/strong> Part of the Summer Institute for Contemporary Performance Practice<\/a> concert series. Harpsichordist\u00a0with Callithumpian Consort<\/a>, directed by Stephen Drury<\/p>\n

\u201cBach Family Dialogues,\u201d\u00a0at Wagner College (Mar. 30, 2016).<\/strong> J. S. Bach’s Cantata 57 and A-major violin sonata (BWV 1015); C. P. E. Bach’s “Sanguineus and Melancholicus” (W. 161\/1); and selections from J. C. Bach’s Requiem<\/em>. With students and faculty from Wagner College, joined by alumni of the Juilliard School, Wagner College<\/p>\n

“Conversations Between Virtuosos: Trio Sonatas From 18th-Century Germany.”<\/strong>\u00a0Midtown Concerts series<\/a> (Oct. 8, 2015).<\/strong>\u00a0Dialogues for “Sanguineus and\u00a0Melancholicus” by C.P.E. Bach and J.G. Graun,\u00a0performed with\u00a0Jude Ziliak, violinist, at\u00a0St. Bartholomew’s Episcopal Church, 325 Park Ave. at E. 50th St., New York (free concert)<\/p>\n

W.F. Bach: Harpsichord Concerto in G minor, with vocal works by Purcell, Ariosti, and J.S. Bach (April 8, 2015),<\/strong> performed with members of Juilliard 415 and the Wagner College voice faculty,\u00a0in the Campus Hall Performance Center at Wagner College (Staten Island, N.Y.)<\/p>\n

Clavichord Recital: A C.P.E. Bach Retrospective\u00a0(March 22, 2015).<\/strong> Goldfarb Library, Brandeis University, sponsored by the Boston Clavichord Society<\/a><\/p>\n

A New Voice for the Clavier:\u00a0C.P.E. Bach and the Changing Idiom of Keyboard Music (Nov. 8, 2014),<\/strong> lecture-recital for the American Musicological Society, 2014 national meeting, Milwaukee, Wis.<\/a><\/p>\n

Recital: J.S. Bach: Chromatic Fantasia and Fugue; C.P.E. Bach: keyboard sonatas and chamber music (Oct. 25, 2014),<\/strong> at the Idaho Bach Festival<\/a> (Moscow, Idaho)<\/p>\n

“Performing the Music of C.P.E. Bach Today” (Oct. 25, 2014),<\/strong> a talk at the Idaho Bach Festival<\/a> (Moscow, Idaho)<\/p>\n

J.S. Bach: Fifth Brandenburg Concerto, and C.P.E. Bach: D-Minor Harpsichord Concerto W. 23 (Oct. 24, 2014),<\/strong> at the Idaho Bach Festival<\/a> (Moscow, Idaho)<\/p>\n

J.S. Bach: Fifth Brandenburg Concerto, and C.P.E. Bach: Harpsichord Concerto W. 23 (Oct. 15, 2014)<\/strong>, with members of Juilliard 415, in the Campus Hall Performance Center at Wagner College (Staten Island, N.Y.)<\/p>\n

Workshop: New Editions of Bach’s Complete Organ Works (June 25, 2014),<\/strong> with George Stauffer, for\u00a0the American Guild of Organists, national meeting, at the Boston Marriott Hotel (further information here)<\/a><\/p>\n

“The ‘Version’ Problem in Bach’s Preludes and Fugues for Organ” (June 24, 2014):<\/strong> talk for the American Guild of Organists, national meeting, at the Boston Marriott Hotel\u00a0(further information here)<\/a><\/p>\n

Recital and panel discussion: Music of C. P. E. Bach (June 6-7, 2014).<\/strong>\u00a0<\/strong>Part of the\u00a0Focus on Piano Literature<\/em>\u00a0symposium at the University of North Carolina at Greensboro.\u00a0Further information here.<\/a><\/p>\n

Lecture-recital: C. P. E. Bach’s Revolutionary Keyboard Music of the 1740s (May 3, 2014).<\/strong>\u00a0A presentation for the American Bach Society, meeting at Kenyon College in Gambier, Ohio.\u00a0Further information here.<\/a><\/p>\n

“C.P.E. Bach and the Metaphorical Voice”:<\/strong>\u00a0<\/strong>talk for the New England chapter of the American Musicological Society, at Boston Conservatory, on the composer’s three hundredth birthday (March 8, 2014)<\/p>\n

Bach’s\u00a0Well-Tempered\u00a0Clavier:<\/em>\u00a0complete performance with commentary, in three gatherings (Jan. 19, March 16, and May 18, 2013).<\/strong>\u00a0On three Saturday evenings at Taylor House,<\/a>\u00a050 Burroughs Street, Jamaica Plain, Boston.<\/p>\n","protected":false},"excerpt":{"rendered":"

David Schulenberg\u00a0 Recent and Upcoming Performances and Other Public Events Vivaldi & Vino! House concert with Mary Oleskiewicz, flute, and Cynthia Roberts, violin; music by Leclair, Quantz, and Vivaldi, sponsored by Snug Harbor Wine, Duxbury, Mass. (private location, Sept. 18, … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":12,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-1012","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/pages\/1012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/comments?post=1012"}],"version-history":[{"count":0,"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/pages\/1012\/revisions"}],"wp:attachment":[{"href":"https:\/\/faculty.wagner.edu\/david-schulenberg\/wp-json\/wp\/v2\/media?parent=1012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}