Works Performed by David Schulenberg

Most of these recordings are of solo works for historic keyboard instruments (harpsichord, clavichord, organ, fortepiano). All are from live performances and essentially unedited – my apologies for inconsistencies in volume, sound, and notes! Works are listed by composer and title. This file and all linked audio files are copyright (c) 2015 by David Schulenberg, all rights reserved. Permission is granted to download these files for personal and classroom use.

Carl Philipp Emanuel Bach (1714–88)

The first few items below are from a recital that I performed as a 301st-birthday retrospective of C.P.E. Bach’s keyboard music for the Boston Clavichord Society (March 22, 2015, clavichord by Arnold Dolmetsch). For additional works, please scroll down!

Sonata in F-sharp minor, W. 52/4 (Berlin, 1744)
Allegro
Poco andante
Allegro assai

Sonata in C, W. 62/10 (Berlin, 1749)
Allegro
Andante un poco
Allegro di molto

Fantasia in D, W. 117/14 (Berlin, ca. 1761)
La Stahl, W. 117/25 (Berlin, 1755)
L’Aly Rupalich, W. 117/27 (Berlin, 1755)
Solfeggio in C minor, W. 117/2 (Potsdam, 1766)

Sonata in E minor, W. 52/6 (Zerbst, 1758)
Allegro
L’Einschnitt (Adagio)
Allegro di molto

Sonata in C, W. 65/47 (Hamburg, 1775)
Allegro
Adagio assai – Andante

From Clavier-Sonaten . . . für Kenner und Liebhaber, volume 2:
Rondo in A minor, W. 56/5 (Hamburg, 1778)
Sonata in A, W. 56/6 (Hamburg, 1780)

Carl Philipp Emanuel Bach (1714–88): additional works, listed by Wotquenne number

Fantasia in E-flat, without Wotquenne number (Helm no. 348)
performed on clavichord by Arnold Dolmetsch (broadcast on WGBH Boston, 2005)
performed on fortepiano after Silbermann by David Sutherland (Vermillion, S.D., 2000)

Concerto in D minor for keyboard and strings, W. 23 (Wagner College, Staten Island, N.Y., 2014)
Allegro
Poco andante
Allegro assai

“Prussian” Sonata no. 6 in A, W. 48/6 (Cambridge, Mass., 2006)
Allegro
Adagio
Allegro

“Württemberg” Sonata no. 1 in A minor, W. 49/1
performed on harpsichord (Boston, 2009):
Moderato
Andante
Allegro assai
performed on clavichord (Cambridge, Mass., 2004):
Moderato
Andante
Allegro assai

“Württemberg” Sonata no. 6 in B minor, W. 49/6, with variations and cadenza from W. 68 (Stony Brook, 1980)
Moderato
Adagio non molto
Allegro

Sonata in C, W. 51/1, with variations from W. 65/35 and 65/36 (Stony Brook, 1985)
Allegro moderato
Andante
Allegro

Sonata in E minor, W. 59/1 (Cambridge, Mass., 2004) (single file)
Presto
Adagio
Andantino

Fantasia in C, W. 59/6 (broadcast on WGBH Boston, 2005)

Sonata in B-flat, W. 62/1 (Cambridge, Mass., 2004)
Presto
Andante
Allegro assai

Sonata no. 6 from the Probestücke, W. 63/6 (Cambridge, Mass., 2004)
Allegro di molto in F minor
Adagio affetuoso in A-flat
Fantasia in C minor (the “Hamlet” fantasia)

Sonata in E-flat, W. 65/7, early version, with varied repetitions from the revised version (Waltham, Mass., 1991)
Allegro (revised version: Allegro moderato)
Siciliano (revised version: Andante)
Vivace

Sonata in C, W. 65/16 (Chapel Hill, 1992)
Allegro – Adagio/Andante
Allegretto

Sonata in G minor, W. 65/17 (Stony Brook, N.Y., 1989)
Allegro
Adagio
Allegro assai

Sonata in B-flat, W. 65/20 (Cambridge, Mass., 1986)
Moderato
Adagio
Allegretto

Sonata (Praeludium) in D, W. 70/7 (Bozeman-Gibson organ after Silbermann, Stony Brook, 1989) (one movement)

Sonata in E for keyboard and flute, W. 84 (Durham, N.C., 1996)
Allegretto
Adagio di molto
Allegro assai

Quartet in D for keyboard, flute, and viola, W. 94 (Boston, 1992)
Allegretto – Sehr langsam und ausgehalten
Allegro di molto

Quartet in G for keyboard, flute, and viola, W. 95 (Stony Brook, 1983)
Allegretto
Adagio
Presto

Andantino from Sechs leichte Clavierstückgen, W. 116/23 (Cambridge, Mass., 2004)

Variations with Varied Reprises, W. 118/10 (Cambridge, Mass., 2004)

Sonata in D for flute and basso continuo (performed on clavichord), W. 131 (broadcast on WGBH Boston, 2005)
Andante
Allegretto
Allegro

Sonata in C for flute, violin, and basso continuo, W. 149 (Dayton, 1999)
Allegro di molto
Andante
Allegretto

Johann Sebastian Bach (1685–1750), works listed by BWV number

Fantasia and Fugue in C minor BWV 562 (Stony Brook, N.Y., 1989)
Fantasia
Fugue (completed by David Schulenberg)

Wenn wir in höchsten Nöten sein BWV 641 (Stony Brook, Bozeman-Gibson organ after Silbermann, March 21, 1985)

Wo soll ich fliehen ihn BWV 646 (Stony Brook, Bozeman-Gibson organ after Silbermann, March 21, 1985)

Jesu meine Freude BWV 753, fragment completed by DS (Chapel Hill, 1993)

Wie schön leuchtet der Morgenstern BWV 764, fragment completed by DS (Chapel Hill, 1993)

Invention no. 8 in F, BWV 779 (Cambridge, Mass., 2004)

Partita no. 6 in E minor BWV 830 (Cambridge, Mass., 2006)
Toccata
Allemanda
Corrente
Air
Sarabanda
Tempo di gavotta
Giga

Praeludium et Partita in F BWV 833 (Chapel Hill, 1993)
Praeludium: Andante
Allemande
Courante
Sarabande – Double
Air

From the Well-Tempered Clavier (the “48”), part 1
Prelude and Fugue in C-sharp BWV 848 (Stony Brook, 1982)
Prelude and Fugue in E-flat BWV 852 (Stony Brook, 1982)
Prelude and Fugue in F minor BWV 857 (Stony Brook, 1982)
Prelude and Fugue in F-sharp BWV 858 (Assumption College, Worcester, Mass., 2013)
Prelude and Fugue in G BWV 860 (Boston, Mass., 2008)
Prelude and Fugue in G minor BWV 861 (Chapel Hill, 1993)
Prelude and Fugue in A BWV 864 (Stony Brook, 1982)

From the Well-Tempered Clavier (the “48”), part 2
Prelude and Fugue in C-sharp minor BWV 873 (Staten Island, N.Y., 2006)
Prelude and Fugue in D-sharp minor BWV 877 (Stony Brook, 1982)
Prelude and Fugue in F-sharp minor BWV 883 (Worcester, Mass., 2013)
Prelude and Fugue in A-flat BWV 886 (Staten Island, N.Y., 2006)

Chromatic Fantasia and Fugue in D minor BWV 903 (Chapel Hill, N.C., 1992)
Fantasia
Fugue

Fantasia and Fugue in C minor BWV 906 (Stony Brook, N.Y., 1989)
Fantasia
Fugue (completed by David Schulenberg)

Prelude in E minor BWV 932 (fragment completed by DS; Brandeis University, Waltham, Mass., 1991)

Fugue in B-flat on a Theme by Reinken BWV 954 (Chapel Hill, N.C., 1993)

Sonata in A minor BWV 965, after Reinken, Hortus musicus, no. 1 (Cambridge, 1986)
Sonata
Allemande
Courante
Sarabande
Gigue

Concerto in G, BWV 973, after Vivaldi, op. 7, no. 8 = RV299 (Chapel Hill, N.C., 1997)
Allegro
Largo
Allegro

Concerto in G minor, BWV 985, after Telemann, TWV 51:g1 (Cambridge, Mass., 1986)
[Allegro]
Adagio
Allegro

Goldberg Variations BWV 988 (Stony Brook, N.Y., 1982)
Aria and Variations 1–3
Variations 4–6
Variations 7–9
Variations 10–12
Variations 13–15
Variations 16–18
Variations 19–21
Variations 22–24
Variations 25–27
Variations 28–30 and Aria da capo
Fourteen Canons on the bass of the Goldberg Variations BWV 1087, arranged by DS (performed Chapel Hill, N.C., 1996)

Partita no. 2 in D minor for unaccompanied violin BWV 1004, arranged by DS (Chapel Hill, 1995)
Allemanda
Corrente
Sarabanda
Giga
Ciaccona

Suite no. 6 in A for unaccompanied cello BWV 1012, arranged by DS (Chapel Hill, 1995)
Prelude
Allemande
Courante
Sarabande
Gavottes 1–2
Gigue

Concerto in C minor for two harpsichords and strings BWV 1060, with Ronald Cross (2d harpsichord) (Staten Island, N.Y., 2004)
Allegro
Adagio
Allegro

From the Musical Offering BWV 1079 (Vermillion, S.D., 2000)
Ricercar a 3
Fuga canonica (performed on flute and fortepiano; Mary Oleskiewicz, baroque flute)
Ricercar a 6

Alle Menschen müssen sterben BWV 1117 (Chapel Hill, 1993)

Wilhelm Friedemann Bach (1710–84)

Fantasia in E minor F. 21 (Cambridge, Mass., 2009)

Polonaises, F. 12 (Cambridge, Mass., 2004)
no. 1 in C    no. 2 in C minor    no. 5 in E-flat

Sonata in E-flat, F. 5 (Chapel Hill, N.C., 1996)
Allegro ma non troppo
Largo
Presto

Sonata in F, F. 202 (Claremont, Calif., 2011)
Allegro
Siciliana
Presto

Sonata in E minor for flute and continuo (Cambridge, Mass., 2004)
Allegro ma non tanto (first half)    (second half)
Siciliano
Vivace

Ludwig van Beethoven (1770–1827)

Sonata in D minor, op. 31, no. 2 (Stony Brook, N.Y., 1980, fortepiano by Thomas and Barbara Wolf after Dulcken; mvt. 2 follows mvt. 1 without a break in the first of two files)
  Largo–Allegro
  Adagio
  Allegretto

“Eroica” Variations, op. 35 (Stony Brook, N.Y., 1982)
Introduzione through Variation 3
Variations 4–14 (minore)
Variation 15 (maggiore) and Finale (fugue) 

William Byrd (1543–1623) (listed by “BK” numbers from Musica britannica, vols. 27–28)

Ground in g, BK 9 (Chapel Hill, 1996)

Alman in g, BK 11 (Chapel Hill, 1996)

Prelude in a, BK 12 (Wagner College, Staten Island, N.Y., 2005)
Fantasia in a, BK 13 (Wagner College, Staten Island, N.Y., 2005)

Pavan and Galliard in B-flat, BK 23 (Chapel Hill, 1996)
Pavan
Galliard

Prelude in C, BK 24 (Waltham, Mass., 1991)
Fantasia in C, BK 25 (Waltham, Mass., 1991)

Galliard Mary Brownlow, BK 34 (Waltham, Mass., 1991)

Callino casturame, BK 35 (Chapel Hill, 1996)

Lachrimae Pavan and Harding’s Galliard, BK 54–55 (Chapel Hill, 1992)
spoken remarks
Pavan (original by John Dowland)
Galliard (original by James Harding)

Pavan and Galliard in F, BK 60 (Wagner College, Staten Island, N.Y., 2005)
Pavan
Galliard

Ut re mi fa sol la, BK 64 (Chapel Hill, 1996)

Go From My Window, BK 79 (Wagner College, Staten Island, N.Y., 2005)

John Come Kiss Me Now, BK 81 (Chapel Hill, 1992)

Alman in G, BK 89 (Chapel Hill, 1996)

La Volta, BK 90 (Chapel Hill, 1996)

Juan Bautista José Cabanilles (1644–1712)

Pasacalles (from Barcelona, Bibl. de Cat., M.386). Italian harpsichord attributed to Giacomo Ridolfi, ca. 1662–82, National Music Museum (Vermillion, S.D., 2000)

François Couperin (1668–1733)

Vingt-unième ordre (selections) (Boston, 2008)
La reine des cœurs
La Couperin

Messe pour les paroisses
Offertoire sur les Grands Jeux (Stony Brook, N.Y., 1989)
[section 1]
[section 2: fugue]
[section 3]

Girolamo Frescobaldi (1583–1643)

Canzon 3 from Il secondo libro di toccate (Stony Brook, N.Y., 1989)

Toccata 5 from Il secondo libro di toccate (Stony Brook, N.Y., 1989)

Toccata 7 from Il secondo libro di toccate (Boston, 2008)

Toccata 9 from Il secondo libro di toccate (Stony Brook, 1983)

Canzon 1 from Fioretti di Frescobaldi (Chapel Hill, 1992; commentary here)

Johann Jacob Froberger (1616–67)

Suite 7 in E minor (Stony Brook, N.Y., 1980)
Allemande
Gigue
Courante
Sarabande

Suite 10 in A minor (Boston, 2004)
Allemande
Gigue
Courante
Sarabande

Suite 13 in D minor (Stony Brook, N.Y., 1989)
Allemande
Gigue
Courante
Sarabande

Suite 20 in D (Boston, Mass., 2008)
Meditation sur ma mort future
Gigue
Courante
Sarabande

Suite 27 in e (Wagner College, Staten Island, N.Y., 2005)
Allemande (“Wasserfall”) 
Gigue
Courante
Sarabande

Toccata 2 in d. Italian harpsichord attributed to Giacomo Ridolfi, ca. 1662–82, National Music Museum (Vermillion, S.D., 2000)

Toccata 13 in e (Wagner College, Staten Island, N.Y., 2005)

Bernardo Gaffi (1667–1744)

Toccata in e (Chapel Hill, 1995)

Ennemond Gaultier (1575–1651)

From Perrine’s Pièces de luth en musique (Boston, 2008)
Courante L’immortelle
Allemande (Tombeau de Mesangeau)
Gigue La Poste

George Frideric Handel (1685–1759)

Suite in F minor, HWV 433 (New York University, 1985)
Prelude
Fugue
Allemande
Courante
Gigue

Roger Hannay (1930–2006)

Scarlatti on Tour (composed 1986; recorded Chapel Hill, 1994)
Scarlatti Meets de Ribayez
Scarlatti Plays El Escorial
Scarlatti Leaves for Madrid

Lou Harrison (1917–2003)
From Six Sonatas for Cembalo (composed 1935/1943; recorded Claremont, Calif., 2011)
no. 1
no. 2

Franz Josef Haydn (1732–1809)

Sonata (Trio) in C for fortepiano, violin, and cello, Hob. XV:27 (Stony Brook, 1981)
Allegro
Andante
Finale: Presto

Elizabeth-Claude Jacquet de La Guerre (1665–1729)

Suite no. 1 in D minor (selections), from Pièces de clavecin (Waltham, Mass., 1991)
Prélude
Allemande
[1re] Courante
Sarabande
Chaconne l’inconstante

Suite no. 3 in A minor (selections), from Pièces de clavecin (Boston, 2004)
Prélude
Allemande
[Première] Courante
Sarabande
Gavotte
Chaconne

Betsy Jolas

Autour (1973) (Chapel Hill, N.C., 1992)

Auprès (1980) (Wagner College, Staten Island, N.Y., 2005)

Johann Philipp Krieger (1649-1725)

Passagaglia (1676). Italian harpsichord attributed to Giacomo Ridolfi, ca. 1662–82, National Music Museum (Vermillion, S.D., 2000)

Lully, Jean-Baptiste de (1632-87)

Overture to Isis, arranged by Jean-Henri d’Anglebert (Chapel Hill, 1995)

Les sourdines d’Armide, arranged by Jean-Henri d’Anglebert (Chapel Hill, 1995)

Chaconne from Phaeton, arranged by Jean-Henri d’Anglebert (Chapel Hill, 1995)

Marin Marais (1656-1728)

Sarabande, arranged by Jean-Henri d’Anglebert (Chapel Hill, 1995)

Wolfgang Amadeus Mozart (1756-91)

Sonata in D, K. 576 (Waltham, Mass., 1985)
Allegro
Adagio
Allegretto

Johann Gottfried Müthel (1728-88)

Arioso in C minor with twelve variations (Cambridge, Mass., 1986)
Arioso and variations 1-3
Variations 4-7
Variations 8-9
Variations 10-12

Georg Muffat (1653-1704)

Toccata VII (from Apparatus musico-organisticus, Salzburg, 1690). Italian harpsichord attributed to Giacomo Ridolfi, ca. 1662–82, National Music Museum (Vermillion, S.D., 2000)

Bernardo Pasquini (1637-1701)

Basso Continuo Sonata in E minor (Chapel Hill, 1992; commentary here)

Suite no. 2 in D. Octave virginal by Onofrio Guarracino, Naples, 1694, National Music Museum (Vermillion, S.D., 2000)
Allemanda – [Corrente] – [Giga] – [Aria] (one file)

Ercole Pasquini (fl. ca. 1600, d. 1608/1619)

Toccata in g, Shindle no. 4 (Chapel Hill, 1994)

Romanesca (Chapel Hill, 1994)

Henry Purcell (1659-95)

Suite no. 2 (1689) in D minor (Chapel Hill, 1995)
Prelude
Almand
Corant
Saraband

Hornpipe from The Fairy Queen, arranged by (?) the composer (Chapel Hill, 1995)

Jean-Philippe Rameau (1683-1764)

Pieces in G from Nouvelles suites, ca. 1730 (Stony Brook, 1981)
Les triolets
Les sauvages
Air gratieux pour les amoures
L’egiptienne
L’enharmonique

La dauphine (Stony Brook, 1981)

From Pièces de clavecin en concerts (Chapel Hill, 1997)
Fugue La Forqueray
La Cupis
La Marais

Luigi Rossi (1598-1653)

Passacaille. Italian harpsichord attributed to Giacomo Ridolfi, ca. 1662–82, National Music Museum (Vermillion, S.D., 2000)

Michelangelo Rossi (ca. 1602 – 1656)

Toccata 1. Italian harpsichord attributed to Giacomo Ridolfi, ca. 1662–82, National Music Museum (Vermillion, S.D., 2000)

Toccata 7 (Stony Brook, 1983)

Corrente 6 (Chapel Hill, 1995)

Domenico Scarlatti (1685-1757)

Sonatas (Wagner College, Staten Island, 2005)
K. 206 in E
K. 447 in F-sharp minor
K. 282 in D
K. 499 in A
K. 296 in F
K. 386 in F minor

David Schulenberg

Eis Artemin (Homeric Hymn to Artemis, originally for voice and clavichord, 1976; arranged for clarinet and harpsichord, 1996) (Chapel Hill, N.C., 1996)

Quintet for Ten Instruments (Eb/Bb clarinet, oboe/English Horn, violin/viola, guitar/lute [muted harpsichord in this performance], harpsichord/piano, 1979) (Stony Brook, N.Y., 1980)

Three Pieces for Harpsichord (1982, revised 1990) (Wagner College, Staten Island, N.Y., 2005)
no. 1
no. 2
no. 3

Sonata for Harpsichord (1982, revised 1991) (Chapel Hill, N.C., 1994)

Duetto for Harpsichord Four Hands (1986 , 1994) (Chapel Hill, 1995)
I (movement 1)
II (movement 2)

Rondeaux on Texts by Machaut (soprano, cello, harpsichord, 1995) (Chapel Hill, N.C., 1996)

Carlos de Seixas (1704-42)

Sonata in A. Portuguese harpsichord by Jose Calisto, 1780 (National Music Museum, Vermillion, S.D., 1999)
Allegro
Adagio
Allegro assai

Jan Pieterszoon Sweelinck (1562 (?) – 1621)

Echo Fantasia in C (Stony Brook, 1985)

Friedrich Wilhelm Zachow (1663-1712)

Suite in B minor (Chapel Hill, 1997)
Allemande
Courante
Sarabande
Fuga finalis

Roger Zahab

Several Paths (composed 1995/1997; recorded Claremont, Calif., 2011)